I shouldn't have been in the old factory, but I followed them anyway—the Fiend and the lady. I'd recognize those silhouettes anywhere. He grabbed her arm, dragged her to the center, and pushed her into a vat. White light erupted as she vanished. I staggered out, failing again. At The End of the World bar, the Fiend appeared. He stared at me knowingly, downed his whiskey, and left a photograph under his payment. Her photograph. She'd been everything to me. The Fiend took her. To end him was to end the cycle. I chased her ghost through the city—nightclubs, alleyways, the shipyard. She'd raised me as a boy, taught me everything. Then she discovered something dangerous she wouldn't explain. At the factory, the Fiend injected her with something. She collapsed. I couldn't stay hidden anymore. "Stop!" I yelled. She pulled free and fell into my arms. "Dangerous men die violent deaths," she whispered. "I messed up the job. Just my luck." She smiled—that beautiful smile—then walked to the vat's edge. One last look, and she let herself fall backward. The explosion blinded me. The cycle reset. Maybe next time I can stop it.
7 track album This album is the epitome of perfection —a sonic sanctuary where every element is balanced to create an atmosphere of pure serenity. It's a work of art that not only sounds amazing but also has the power to heal and soothe. Whether you're winding down after a long day, practicing yoga, or simply looking to disconnect from the chaos of the world, this album is your ticket to a blissful escape
"Endogenic Noise Records is happy to welcome our good friend, and Harsh Noise Wall/Dark Ambient producer, Lord Cernunnos back to the label with a new release: "Still Fucking Pontless"! Cern returns with 2 awesome tracks of monolithic and crunchy Harsh Noise Wall goodness! Give it a listen! Enjoy <3" - Yukes Catalogue No: [ENR-636] Music, Production, Mastering, Sampling and Cover Art by Lord Cernunnos Curated by Yukes Presented by Endogenic Noise Records Support Lord Cernunnos: Bandcamp: lordcernunnos.bandcamp.com Twitter: twitter.com/UWarri0r
Endogenic Noise Records is happy to welcome our good friend, and multi-genre producer, TREVØR back to the label with a brand new release: "Angel!" TREVØR returns with 2 different versions of a new track! "Angel" is an awesome piece of reverb heavy Ambient Techno and Minimal Synth! Give it a listen! Enjoy <3" - Yukes Catalogue No: [ENR-635] Music, Production, Mastering and Sampling by TREVØR Cover art is an image of twitch.tv/yuy_ix Curated by Yukes Presented by Endogenic Noise Records Support TREVØR: Bandcamp: iamtrevor.bandcamp.com Twitter: x.com/trevorfml
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We are currently 300 people on board of the Bandcamp Solar Phasing spaceship! And we are traveling towards new musical horizons! ❤️ 🎶 https://solarphasing.bandcamp.com/ **** Until Friday November 7, 2025. use code "300" to get a 90% discount on ANYTHING! **** Missing Time it's all about UFOs, Aliens, and abductions.. More to come! Be an early Birds to get the full Album at cheap price! Wait for a10 tracks Album + Bonus at minima. Bonus tracks inside.
A wildly eclectic adventure from two Long Beach DJs currently getting some love on Soundcloud. Ranges from funk to disco to party rap to boom bap to cool jazz to DJENT to Mardis Gras to Venice Beach to traces of industrial metal. "Lay Down the Law" and "No Time fo Crashin'" are the crowd favorites, along with "Forever Misunderstood (No Sleep 'til Anchorage)," a character study by the talented and insane Anton Donovan. Battle Bumps' biggest statement yet, with the focus of a classic and the freewheeling fun of a mixtape, and all kinds of bang for your buck.
Melbourne ambient artist Willebrant teams up with sonic experimentalists Blacklight Ghost to create ‘Dust’. A compelling album of atmospheric soundscapes, ‘Dust’ is a journey through imagined lands and lifetimes. released October 1, 2021 Blacklight Ghost are Dan Marsh and Rohan Sherlock in collaboration with Karl Willebrant Produced by Blacklight Ghost and Willebrant for Canning Park Recordings canningparkrecordings.bandcamp.com Cover art from a fragment of a painting by Christine Sage, edited by Dan Marsh.
Newest release from final lord
Lucid at Midnight is a collaborative drift between Neon Vampire and Daph Veil. Cinematic synths, melancholic piano, and expressive drum loops wrapped in ambient pop clarity. Built for late-night drives, soft spirals, and the quiet ache of remembering. Minimalist. Emotional. Unapologetically nocturnal.
A Neon Vampire transmission built entirely from synthesizer and drums, Ultraviolet Hunger channels grief through synthetic textures and ritual pacing. Vanessa’s vocals drift through the mix like a memory glitch, fragile and relentless, echoing the ache of absence and the weight of longing. This track is a shoreline elegy. A cinematic pulse for love undone. A minimalist descent into emotional collapse. It belongs to the darker corners of the catalog, where myth meets mourning and every sound is a fragment of what was lost.
Skyjelly Jones, if he is in fact the vocalist, sings in a polyglot style that’s hard to pin down; sometimes the lyrics sound French, other times vaguely Arabic, occasionally veering close to something resembling English—it could be Esperanto, even. The words aren’t really the point, though, unfolding as more of a bonus texture by adding blurry, minor-key shading and chantlike rigor to the clatter of the guitars, percussion, and assorted loops and sound effects that make up the eclectic, eccentric sound world on Skyjelly’s new record, SPIRIT GUIDE - Merry Go Round
![A New Day [The Epitome Of Perfection]](/_next/image?url=https%3A%2F%2Fcdn.band.codes%2Frelease-f39f320d-808a-42c8-8b0b-ad6d4e78ae6c.jpg&w=3840&q=75)
