pilostyles wildflower

pilostyles wildflower

π–‘π–Šπ–†π–›π–Š π–™π–π–Šπ–˜π–Š 𝖔𝖑𝖉 π–‘π–”π–“π–Šπ–‘π–ž π–‡π–”π–“π–Šπ–˜ π–šπ–• 𝖔𝖓 π–™π–Šπ–‘π–Šπ–•π–π–”π–“π–Š π–œπ–Žπ–—π–Šπ–˜ π–ˆπ–”π–“π–›π–Šπ–—π–˜π–Š π–œπ–Žπ–™π– π–œπ–π–Žπ–ˆπ–π–Šπ–›π–Šπ–— π–‰π–Šπ–’π–”π–“π–˜ π–žπ–”π–šπ–— π–π–Šπ–†π–—π–™ π–‰π–Šπ–˜π–Žπ–—π–Šπ–˜ π–‘π–Šπ–™'π–˜ π–˜π–Šπ–™ π–™π–π–Š π–•π–Žπ–Œπ–˜ 𝖔𝖓 π–‹π–Žπ–—π–Š It's amazing how little time changes things. Tall Can and I recorded this album six years ago, with the country in the midst of an authoritarian power grab amid nationwide protests while colonialist war raged in Gaza and global debt soared to record highs. Then Tall Can got locked up. And a few years, a global pandemic and a prison sentence later, he's been released into a world which... well, doesn't look a whole lot different. Which is terrible for the state of the world, but does mean the rage against the powers that be contained in these songs feels as relevant as ever, even six years later. π–Žπ–‹ π–œπ–Š π–†π–—π–Š π–‘π–Žπ–›π–Žπ–“π–Œ π–Žπ–“ 𝖆 π–—π–Šπ–†π–‘π–’ 𝖙𝖍𝖆𝖙 π–Žπ–˜ π–˜π–” π–™π–—π–šπ–‘π–ž π–Œπ–”π–‘π–‰π–Šπ–“ π–œπ–Š π–˜π–π–”π–šπ–‘π–‰ π–™π–—π–Šπ–†π–™ π–Šπ–†π–ˆπ– π–”π–™π–π–Šπ–— π–†π–˜ π–˜π–šπ–ˆπ– π–—π–Šπ–’π–†π–Žπ–“ π–π–šπ–’π–‡π–‘π–Š π–˜π–™π–†π–ž π–”π–•π–Šπ–“ π–Šπ–†π–˜π–Žπ–Šπ–— π–˜π–†π–Žπ–‰ 𝖙𝖍𝖆𝖓 π–˜π–•π–”π–π–Šπ–“ π–π–†π–—π–‰π–Šπ–— π–•π–‘π–†π–ˆπ–Šπ–‰ π–Žπ–“π–™π–” π–†π–ˆπ–™π–Žπ–”π–“ "...undoubtedly one of the year’s most enjoyable rap projects. ...quite visionary... It has an irresistible disjointedness to it that if it doesn’t have you hooked on the very first listen will have you considering a replay. ...Intense!" -Doth Music

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