'Who Saw Her Die?' has released their latest single, "30 Days [Resurrected]," a reimagining of their original track, now featuring guest guitarist Richard Reasons. Deeply inspired by the graphic novel and film 30 Days of Night—which chronicles the brutal survival of a isolated Alaskan town plunged into a month of uninterrupted polar night and hunted by vampires—the track translates atmospheric horror into a sonic narrative of isolation, dread, and relentless tension. While the original composition captured the bleak claustrophobia of thirty endless nights without sun, "30 Days [Resurrected]" breathes new life into the shadows. The addition of Richard Reasons introduces searing, hypnotic guitar work that sharpens the song's gothic edge, cutting through driving synth lines and haunting vocal arrangements.
A group of space-faring scavengers are navigating a remote region of the galaxy when the ship’s sensors alert them to an unidentified object looming in the distance. “Sensors detect a massive freighter up ahead. Looks like it was powered down and abandoned out here. Its callsign is coming through as “Tartarus,” but there’s no other data available (manifest, origin, destination). I’m sure we could salvage some useful scrap from it—let’s dock and check it out." Although the ghost ship appears to be empty, the crew quickly discovers that they’re not alone…and a simple salvage mission becomes a desperate fight for survival. Inspired by media like Dead Space and Alien, Tartarus is an atmospheric and immersive dark ambient, sci-fi horror/suspense experience.
Note: newer Lovecraftian Compilation comes out on tomorrow, that is October the 2nd, 2026 :) GoH-1174: Various Artists - H.P. Lovecraft’s ~WHISPERER IN DARKNESS~ The second compilation of our continuous Lovecraft tribute art project is hereby unleashed. Two hours of atmospheric industrial, dark ambient and noise oscillating around a particular story by the crowned grandmaster of supernatural cosmic horror. Enjoy... or retreat in terror!
A Good Day for a Remix is the result of several years of collaboration with electronic artists from six different time zones. I think I'm honestly more excited about this release than anything I've put out before. Each artist has taken one of my tracks and turned it into something truly unique to their personal style, which I think really highlights the power that comes with collaboration, which, to me, is often something greater than the individual can achieve in isolation. Although we come from different parts of the world and work in different electronic genres, I believe we all have something in common, and that is the power of music to bring people together and communicate our humanity. I hope you enjoy this album. So much thanks to everyone who participated and for having been a part of my musical journey over the last six years.
The centerpiece is the nearly 31-minute "The Apogee of Domestication." It's pure Domene in that it functions on multiple levels, able to occupy the background while also enveloping you with its details — part Steve Roachian hum, part Autechrean rolls of the rhythmic dice. It's dynamic, too, at times building up to squalls like growing hurricanes, and at others flying through the eyewalls to reach the eerie interior. Needless to say, it's bracing in its inventiveness, the kind of music that elicits an "Oh, this is what music can do!" from the newly adventurous. And that's just it: You can say things about Álvaro Domene's compositions, and read them, too, but the listening is the surprise, one that will evolve any listener's perception of music's potential, no matter their fluency. That's why we're here, weary travelers. DARVO MACHINÆ II is new, and when you come out the other side, you're new, too. – Ian Chainey [AKA Wolf Rambatz linktr.ee/wrambatz ] credits ● Álvaro Domene: compositions, seven string electric guitar, live electronics, and drum synthesizer-sampler. ● Audio engineered by Domene. ● Liner Notes by Ian Chainey [AKA Wolf Rambatz linktr.ee/wrambatz ]. ● Cover photo by Domene at Cova de les Calaveres, Alacant. ● Published by Dometone Music BMI alvarodomene.com In memory of Klee Benally, Béla Tarr, and Benito Flores.
Dark techno. It's ALL in your head.
Here is the third volume of the HEPTAD book of compositions for seven string electric guitar by Álvaro Domene. Liner notes by Elliott Sharp: "Crystalline complexity sings in the third volume of Heptad, a new collection of solo pieces by Álvaro Domene for guitar and electronics. There's a subtle swing that shines throughout placing this music within the realm of jazz without ever falling prey to the cliches. Álvaro's style is very much his own yet we may hear hints of John Abercrombie, Anthony Braxton, and Thelonious Monk not to mention the intensity and virtuosity of Cecil Taylor or the mathematical bluesiness of Conlon Nancarrow's pieces for player piano. The sound is always clear and articulate yet warm - the use of electronics never renders the music cold nor clinical. Indeed, the effects vault the playing into the realm of the impossible with delays and pitch shifters being used not for Hollywood-style effects but to extend the range of Álvaro's instrument into deep bass and stratospheric treble while creating contrapuntal lines that swirl into fractal wisps. In addition to waves of notes, there are placid pools of harmonic stillness, all the better to frame the sonic maelstrom. Heptad offers the surprises of improvisation seamlessly combined with the satisfying arc of well-constructed compositions." - Elliott Sharp, November 2022. Make sure you listen to the first and second volumes to experience the evolution of the Heptad sound and syntax: Volume I: ilusorecords.bandcamp.com/album/heptad Volume II: ilusorecords.bandcamp.com/album/heptad-volume-ii Credits Released December 2, 2022 Álvaro Domene: compositions, seven string electric guitar, audio engineering, and artwork. No overdubs. Published by Dometone Music BMI alvarodomene.com
ambient single inspired by night time and how it makes me feel
Corroded dark minimal ambient noise soundscape. Static crackles among waves and tension. 75th collaboration between two Macedonian sound artists. . Sound_00 + Lefterna [Skopje, North Macedonia] Ongoing collaborative, conceptual, experimental, sound art project of the artists Toni Dimitrov and Boban Ristevski. 'Collabs' is their extensive serial of releases on multiple experimental labels on various formats. Varying in sound from deep drone contemplations to haunting, melancholic, ambient and noise explorations. [Find many more collaborations] https://sound00.bandcamp.com/music https://bandcamp.com/search?q=Sound_00%2B%2B%2BLefterna All sounds by Toni Dimitrov & Boban Ristevski. Production and arrangements: Toni Dimitrov. Cover photo: Toni Dimitrov. . [Listen. Save. Download] 'Collab 75' by Sound_00 + Lefterna [lsd224]
2 track album
"Straight from the rainforest of the PNW, haunting sounds from J Moss and friends. The instrumental tracks will sit you around a campfire, the labor tracks put you on a box rolling out of town"
ALBUM NUMBER 07 released July 23, 2020
7 track album
6 track album
For Fans Of: GODFLESH, Skin Chamber, early Swans Abjection Ritual’s newest release, Sewers of Perdition, is a masterful descent into aural claustrophobia that solidifies the project’s reputation as a premier force in American death industrial. Operating from the grey, rust-tinged landscape of Erie, Pennsylvania, Abjection Ritual continues to weaponize human misery, self-hatred, and psychological collapse into a deeply physical listening experience. Sewers of Perdition acts as a grotesque bridge between early 90s sludge metal and modern power electronics.
"Ngoc Ha Noises" is a four track EP that bases musical composition on field recordings captured within Hanoi's ancient village of Ngoc Ha. Recorded in a round robin fashion, these pieces have been put together throughout the course of 2020. It is best enjoyed with headphones.
