Davide Perico | Mirai No Hagaki

Fukushima Boy, Mirai No Hagaki

Tales of Fukushima Twenty-three tales from the people who lived through the Fukushima nuclear disaster. Only twenty-one could be told. Each track is imagined as the story of one survivor: someone who lived through the earthquake, the wave and the invisible threat that followed. One remembers the morning everything stopped. One returns to a house that can no longer be lived in. One still listens for a voice that will never answer. Shifting textures, fractured atmospheres, haunting drones and fragile sonic landscapes carry the words they cannot say: the lives interrupted, the homes left behind, the land changed forever. The tales are numbered from 1 to 23, but you will find no track 12 and no track 22. These are the ghost tracks: the stories of two people who did not survive. Their numbers remain in the sequence, but their voices are missing. The gap where each of them should be is part of the album, a silence left in their place. More than a document of destruction, Tales of Fukushima is an invitation to listen, remember and reflect on what remains when the world we know is suddenly taken away. It is a journey through absence, memory, uncertainty and resilience, where sound reaches what words cannot. Produced and mixed in spatial audio, the album surrounds the listener, who steps inside each story and hears it from within, as if standing beside the one who survived it.

Mirai No Hagaki, Jené Raél

Beyond the Far Shore is first chapter in the ongoing creative collision between Mirai No Hagaki and Jené Raél — a duo that keeps finding magic in the quiet, accidental moments. This EP drifts between voice, texture, and pure feeling, moving with that suspended, weightless quality that has become their signature. Together, these 5 tracks form a small constellation — five pieces that breathe, expand, and dissolve. A reminder that sometimes the most surprising artistic connections come from chance encounters, and that voice and texture can meet in ways that feel both ancient and completely new.

Mirai No Hagaki

First contacts. Interactions. Confused, fragmented stories spoken in unknown languages — incomprehensible yet deeply fascinating. Inspired by hours of audio recordings from amateur radio transmissions, I built my new ambient album “First Contact” around them. A continuous flow of love for exploration and the unknown, with all its unpredictable aesthetic and emotional variations. The seven tracks are not separate moments, but chapters of a single longform experience — seamlessly blending into one another to create a deep, slow, and quietly immersive journey.

Mirai No Hagaki

outskirts is my brand new ambient album. It’s quiet, deep, it moves like a slow breath on the edge of a small northern Italian town. this album is an intimate soundscape, grounded in real places yet floating outside of time. It invites the listener to step into those quiet borderlands — the outskirts of the world, and maybe of themselves.

Mirai No Hagaki

This album aims to portray the real life of a small town in northern Italy. At the heart of every track are ambisonic recordings captured during long walks through my hometown with my dog. From the woods—where you might spot elusive foxes if you’re quiet and lucky enough—to the much louder town center. Inspired by these field recordings, the musical side of each piece gently tries to describe my mood and impressions. Enjoy listening.

Mirai No Hagaki

The album artwork reflects its deepest meaning: a photograph of a frozen leaf resting on a plastic bottle, carelessly abandoned in a field. I love how an act of violence against nature transformed into something poetic, simply through a different way of looking at things. “where”, my new album released under the pseudonym Mirai No Hagaki, is an ambient work shaped like a quiet gesture of hope — a soft touch of light in a time that often feels heavy and uncertain. Each track moves slowly, breathing in its own space, carrying small fragments of warmth, fragility, and renewal. It’s music meant to stay close to the listener, without asking anything in return.

Mirai No Hagaki

What I am is also everything I don’t know yet, everything I can’t do. Even the music I can’t make shapes the artist I am. Not being able to do something isn’t a failure — it’s part of the story, part of the truth of becoming. what i dont' know - ambient music - 8 track album

DY3-thx12-4432

This new instrumental EP blends Rock, Electronic Rock, and Japanese rock influences into a vivid, neon‑lit soundscape inspired by Yoshimitsu’s memories of youth. Each track channels the raw energy of the ’80s — flashing arcade lights, midnight streets, analog synths, and the restless pulse of a generation discovering its own power. Guitars cut through the mix like bright katana strokes, while electronic textures shimmer with retro‑futuristic tension. It’s a journey through nostalgia and adrenaline, where past and present collide in a cinematic, high‑voltage atmosphere.