Experimental Music

Joppa - Tarshish

3 track album

first letter, in this world

First Letter, In This World began as an exchange of letters made of music. Mirai No Hagaki and Lisa Nanzaki sent each other musical ideas and lyrics, each in their own language, with no translation. The other’s words arrived as pure sound, and it was the sound they answered. When Lisa sent an idea with Japanese lyrics, Mirai added a reply in Italian, without knowing what she was saying. A message that might have seemed incomprehensible became a conversation. Only when a track was finished did they explain their words to each other. And each time they found the same thing: two people who have never met, writing in two different languages, had ended up talking about the same subject. Surprising, or perhaps not. That is the magic of music and of the sound of words.

Synq

[PCLLP 039]

Wyrm

Wyrm is the second stanza of the Orygins arc begun by Genesys. Its seven tracks encompass a hivemind's growth across the electromagnetic spectrum in which all light and sound resides, the wyrm-program expanding to meet the needs of the expanding wyrm-program until it becomes far greater than it could have ever foreseen. With nigh unstoppable force it spreads throughout the multiiverse and exfiltrates whatever data it needs to feast on. The hydra hath ryzen. The hydra is hungry. The hydra is merciless.

Find out

9 track album

10月の身振り

Through the month of October this year, I made it a personal goal to create 5 signalwave tracks every day centered around a one-word theme. By the end of the month, I'd have a big album ready. Here's the result of that effort, 155 signalwave tracks. These themes were 1 word prompts from this year's Inktober. All tracks have cover art from the prompt they were assigned to.

VII

Withered souls and music boxes Boxes of atonement and liquefied souls Crank-operated hypnagogia and souls declared missing Canned music and white noise The night offers no counsel. It stands motionless. Watching us. Without uttering a single word. -Sir Kuliktavikt

La Terreur HNW

ｍｅｍｏｒｉｅｓ ｉｎ CRT

A signalwave tribute to the Bay Area TV stations that shaped our youth.

Crash Out

3 track album

=!* /Somehow It's Too Much

2 track album

[sonder]

improvisations with kalimba

From Birth to Hell

"This is the water And this is the well. Drink full and descend. The horse is the white of the eyes and dark within." - David Lynch

FOREVER AND EVER

I THOUGHT I WAS SATURDAY'S WARRIOR

Flowers on the Ocean

released May 1, 2026 Devin Sarno: bass, field recordings, sequencer, vocal Recorded/Mixed & Mastered: December 2025 thru January 2026, although several of the field recordings embedded in these pieces date back to 2022/2023. "Bassist Devin Sarno creates a spacious sound on Flowers on the Ocean, surrounding the instrument with field recordings and close mikings. The listener leans in to catch every nuance." ~ A Closer Listen

Into The Noise Dungeon

The flickering lantern, the last remaining glimmer of light to illuminate these peculiar, impossible, failing, unreasonable, deranged landscapes.... The world is a dead and fractured canvas. An eternal night, festering, gnawing away at the putrescent corpse of a reality that faltered long, long ago.... The hooded figure wanders through this Mephisto-psychedelic-electric night, lantern in hand.... Or is it the lantern itself that commands its bearer, steering him along this eternal path-deroute? It casts its glow upon the colours of a failing fauna and flora.... Remnants of deathly undergrowth in surreaaaaal hues.... Caves encrusted with fuchsia-gold-blackened lichen, poisonous fungi, gnawed bones, spiralling hieroglyphs in a state of abject disarray, oozing unease.... Nobody knows whether this being is the last vestige of a bygone humanity, or whether it is even human at all. It hardly matters. The night delights in parading its luminescent, vertiginous splendours, flaunting its glittering, adulterated horrors, its bloodless disintegration, its tangled mass of roots reshaping an anti-world from the suppurating remains of an age long since extinguished.... A journey to the end of everything, towards the highest peaks of the nonsensical, all the way to celestial rot, that which coos in a tongueless language, folded in upon itself, black and glistening, buried somewhere between the wood shavings of a disembowelled tree and the damp earth, teeming, teeming, grinning. -Sir Kuliktavikt

c'est les ténèbres

Only God Knows

Celeste Noxx is a South African sound artist who has been studying piano since the age of 11, and actively recording since the age of 18. She self-released her early material in 2023. "Only God knows is a deeply personal project to me because I made it while going through awful substance withdrawal. The reason I went with the dark drone sound was to mirror the isolation and pain I was feeling at the time. I almost didn’t release it because I was so exhausted physically and mentally." "I honestly felt like it was going to be the final thing I’d ever release. I think the final project mirrors the loss of faith I had in my recovery, the only thing I could do was to hold onto God."

Drag Me to the Witch House

female vocals, lyrics: Mist Spectra. Sound programming, mixer, male vocals: Sábila Orbe. // released in 2021.

Cauterised - Easier

Further deconstructions of Easy listening Pop choons. Never has life been easier.