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The Vision of Saint Francis of Assisi

The Vision of Saint Francis of Assisi marks the beginning of a new ECHØVEIL series devoted to the back catalogue of one of the most singular and essential voices to emerge from experimental noise in recent years: Saint Elisabeth. The Vision was my first passage into the quietly immense world of Saint Elisabeth, and it remains a profound privilege to be able to share this work. Across eighteen minutes, it unfolds as an experience of ethereal, ambient, and minimal noise that invites meditation rather than spectacle. It is a music of gathering and release, of questioning and inward listening, of emptiness edged with moments of fragile euphoria. What descends upon the listener feels less like sound than a fine rain of silvered metal, falling slowly, insistently, until even the most imploring interior spaces begin to soften and glow. There is nothing else that sounds quite like this. In his search for the divine within noise, Saint Elisabeth touches something rare: a form of transcendence that does not announce itself, but hums softly at the edge of perception. Beautiful without ornament. Severe without cruelty. Essential. Prodigious. -Sir Kuliktavikt saintelisabeth.bandcamp.com Saint Elisabeth is also one half of Blacksmith and co-curator of Blacksmith Noise Records: blacksmithnoiserecords.bandcamp.com

RDKPL

echostrial noisoveil

With echostrial noisoveil, RDKPL descends into a fractured industrial dreamspace where sound behaves like unstable matter. Across three dense compositions, abstract glitch eruptions, corroded noise strata and musique concrète debris grind against each other in slow, deliberate tension. Percussive shapes emerge and collapse like malfunctioning machinery heard through fog, while deconstructed electronics stutter, scrape and pulse with a strange, almost ritual insistence. Nothing here seeks resolution or comfort. Instead, echostrial noisoveil unfolds as a series of sonic experiments conducted in darkness, where echoes multiply, rhythms rot, and textures reveal hidden architectures beneath their surface violence. It is harsh yet precise, oppressive yet deeply absorbing: a work that rewards attentive listening, inviting the listener to wander inside its broken mechanisms and ghostly reverberations. A stark and fascinating release, echostrial noisoveil stands as one of RDKPL’s most compelling explorations of abstract industrial noise, perfectly aligned with ECHØVEIL’s fascination for sound as shadow, residue, and altered perception. -Sir Kuliktavikt

existent/nonexistent

An Obituary for A.S. (dedicated to the sound genius Alan Splet)

It sounds like a house of crushed glass spinning inside an antimatter vortex, installed in an inverted echo chamber, lodged in Salvador Dalí’s crystal nostril, sealed within the coffin of a damned homeless man, dressed in a shirt stitched from smoked human flesh, lit by a cigarette that is alive and refuses extinction. This description is inaccurate. All descriptions are. Why is the baby crying? Why are the dogs barking? Why is the water electric? Why is the piano speaking to my dreams? Have you ever been to Crouch End? Corridors without exits. Rooms catalogued but never entered. The human black hole in my garden wants to lick the flesh from my bones. Paranoia becomes procedural. Alan is smiling from beyond the grave. -Sir Kuliktavikt ---- released February 6, 2026 All sounds recorded, edited, processed, manipulated, mixed and mastered by existent/nonexistent at Abattoir Studio, 2025 Guest Artist: Korg MS20 played by Siddon Cage Front Cover photo by Siddon Cage Back cover photo by existent/nonexistent This albums very dynamic. Please find a song you know well, set the volume and leave it alone. Headphones recommended. --- existent/nonexistent is a sound artist/experimental musician, audio engineer and photographer based out of Canada. existent/nonexistent creates his ‘musical’ pieces and soundscapes at his studio, Abattoir Studios, in Victoria, BC, Canada. existent/nonexistent uses a wide variety of synthesizers, organs/keyboards, samplers, found sounds, field recordings, feedback, contact microphone noise box, prepared guitar, electric guitar and bass, piano and theremin in his musical pieces. existent/nonexistent transcends all musical genres from: sound art, sound collage, musique concrete, experimental, electro-acoustic, noise, noise rock, lowercase, drone/ ambient and minimalism.