Bass Music

Figurita

ANTIDATA first leak! ATD001 Figurita no es conceptual ni lineal. Producciones forjadas por la experimentación y la casualidad a lo largo de cinco años, que fueron adquiriendo carácter al revisitarse tras largos periodos de pausa. Comparten el mismo espacio, mente y contexto: una mezcla de estilos y emociones decantada en un cóctel sin forma establecida, pero con referencias claras. Incluye remixes por Kytao Debuya y Zetor __ Figurita is neither conceptual nor linear. Productions forged through experimentation and chance throughout five years, that gradually took on character as they were revisited after long periods of pause. They share the same space, mind, and context: a blend of styles and emotions distilled into a cocktail with no established form, but with clear references. Includes remixes by Kytao Debuya and Zetor

Submerged

Submerged is intended to depict a journey deep into the sea and back. The nine tracks are arranged symmetrically corresponding to the 5 layers of the ocean. Over the course of the album the tone evolves from dark to hopeful. For many years now, I’ve been thinking about sinking into the ocean as a metaphor for a certain kind of emotional journey, the kind with profound experiences that leave you feeling things you can't explain to other people. You find yourself isolated, not due to a barrier you’ve put around yourself but a deep ocean others would need to swim through to understand you. A few years ago, at a small rave one night, a particular track was playing with some industrial sounds. Another attendee was wearing a sailor hat. Together, the atmosphere felt like we were the crew of a sinking boat. Locked into the music, we were trapped, unable to repair the ship. This night tied together my feelings of sinking into the context of electronic music, ultimately inspiring the arc of the album. Coming from a classical and jazz background, I wanted to find more comfort in the repetitive nature of electronic music (which I have been a fan of for quite a while now). I limited my production to entirely synthetic sound sources (no samples, recordings, etc) and no dedicated drum channel. While repetition was a central goal, I produced each track so that the music is never stagnant. I wanted the primary force of musical development to come from evolving the timbre rather than through harmonic or rhythmic progression.

Live at Resonance

Some performances ask for attention. Others quietly reshape it. We’re honored to present a new live performance from Minneapolis electronic artist Jesse Whitney, whose work unfolds between intricate IDM, immersive ambient, electroacoustic composition, and deeply textured sonic exploration. The recording was performed live at NEW WORLD in Minneapolis, April 24, 2026. For more than a decade, Jesse has cultivated both a record label, Æther Sound, & Envelop, Minneapolis’ beloved deep listening series, creating rare spaces for listeners to experience adventurous music with intention. Following Envelop’s final showcase in 2025, its influence continues to resonate through the artists and community it helped foster. Æther Sound continues to explore new territories. This performance reflects that same spirit: patient, detailed, and rewarding for those willing to disappear into sound. Take a moment. Turn up the speakers. Listen deeply. credits released July 22, 2026 All sounds by Jesse Whitney Artwork by R. Miller Mastering by Tunnel @ Webuildmachines

Re: Echo Mist Light

18 track album, released July 14, 2026 To celebrate a monumental historic milestone, Mahorka brings together a curated constellation of producers from its immediate family and close inner galaxy for its 500th release, dropping officially on Netlabel Day 2026. "Re: Echo Mist Light" is a collective reinterpretation of Wahn's acclaimed full-length album "Echo Mist Light", an opus heavily validated by key tastemakers of the electronic scene - including icons like The Bug and Scanner - and proudly selected in the Bandcamp Monthly features. The original LP was widely lauded for its massive cinematic scope, shifting dub-infused techno pulses, and physically tangible sub-bass textures. Rather than delivering a standard remix album, each contributing artist has remarkably captured the deep, tactile essence and introspective core of Wahn's original tracks, seamlessly transposing that energy into their own signature sound. Across the tracklist, the album pieces together an explosive variety of sonic languages, ripping through fragmented IDM, hypnotic techno, scorched-earth glitch abstractions, industrial minimalism, and deep ambient drifts. "Re: Echo Mist Light" stands as a profound testament to underground electronic synergy - a celebration of community where Wahn’s narrative is brilliantly reborn through the diverse minds of the Mahorka galaxy. Featuring remixes by: Fluffy Inside · Nonima + Abdicant · Cognition Delay · Mas&Delayer · MEION · Substak · Signalstoerung · Dissolved · Mentome Moir · Valance Drakes · Méconium · Grosso Gadgetto · Genda · Captive Portal · Attaché · Flint Glass · Mitoma · Brainquake [mhrk500]

Too Hot

Ancient texts describe a fire that spoke from the wilderness in a wizened tone. The inferno's voice calls out as temperatures rise and flames emanate from the underworld, engulfing all that they touch. It's getting hot on Earth ... too hot. After our last trip to Tokyo with bushfyre, he's back to take us somewhere new yet still familiar with his new single. "Too Hot" is quick on its feet and brings to mind late night euphoria flickering through the summertime haze. A bouncy kick drum drives the track forward while an LFO-modulated bassline pulses like an undercurrent rushing beneath the surface. Shimmering, seductive synth lines brilliantly drift in and out of focus as if the fiery track is fanning its own flames. At the center of it all is a reverberated vocal hook floating weightlessly above the mix in a way that seems within reach and unknowable. Like so many of today's pleasures, "Too Hot" feels both intimate and detached. Be careful: "Too Hot" is likely to cause endless replays. "Too Hot" is available for only six days, the price is rising alongside the summer heat. credits Composed, recorded, and mixed by bushfyre Mastered by Kevin McHugh (Valence Studios) Album artwork by Alex Rubenstein (Black Magic Recordings) Black Magic Recordings | BMR037 released June 18, 2026

Polarity Switch

8 track album with a focus on drum programming & sampling, inspired by the sounds of footwork both old and new. Bassy, 160, halftime happy kinda vibes :)

Ya Jabal (Reginald Remix)

Arabic club bass heat! Been demolishing venues since Reginald started testing it out in February. Now out for your consumption. Yalla yalla!

SPOOKY ASS BREAKBEAT

BREAKS STR8 FROM THE COLOGNE UNDERGROUND. SPOOKY STUFF!

PPL FARM

You are the product being harvested The greatest show in the universe The human experience What are those shadows in the corner of your eye Unidentified light in the sky Unseen hand playing tricks with your mind If life is a game, what is the prize?

Overthinking

Blending trip hop, dub, and bass influences with original guitar recordings and synthesizers.

Real Unreal

Definitely one of my more popular tracks, this one is inspired by 90s trip-hop, sunny days between raves. Laid back keys, synths and guitar, mellow days ahead. Inspired by some of my fave music from back then, Ninja Tunes stuff, Nightmares on Wax, Tricky and all those greats.

Chillbop - Ensnared Mix

This single was released for halloween, so it has a spooky thing to it. Kind of dubby electronic with some 80s and 00s blends. It gets a bit of airplay. Thanks for listening.

Frequency Response, Vol. II

12 track album

Les tubes du printemps vol.3

Dub For The National Health

Dub reworkings and versions of Trepanation For The National Health; the tracks shaken to pieces and pulverised under layers of bass and impenetrable walls of echoes. spectrehorsemenpalewithdust.bandcamp.com/album/trepanation-for-the-national-health Comes with a Bandcamp exclusive Version of Is There A Ghost in the Dub House? with basslines that got abandoned in favour of a starker, sparser version. -Spectre Horsemen, Pale With Dust

Personas

*Personas* is the second full-length studio album from Tunnel, a visceral exploration of the human experience told through the pulse of warehouse aesthetics. Blending jungle, techno, and bass music with seamless precision, the album defies genre boundaries—often within a single track—crafting a dynamic and immersive sonic narrative. At its core, *Personas* is both a technical and emotional deep dive into dance music as storytelling. The album charts a path from utopian yearning through dystopian realities and disillusionment; tracing themes of alienation, surveillance, and commodification of the self, and ending with a rediscovery of human empathy, connection, and hope amidst the ruins. credits released September 27, 2025 All tracks produced by Tunnel Vocals for Lost in Shadows by Lilith Burke Mastered by Gio at Artefacts - Berlin A very warm and special shout out to Kelsey for letting me 'do my thing' for countless days and weeks and months, Nate for the studio time and Grove Music crew for the feedback and support throughout production, Jesse and WWW for the input and feedback as this project evolved, Simon (Swarm Intelligence) for the notes, technical support, and thoughts on flow, and everyone who shared an encouraging word and checked in on the project. THANK YOU!

QLCL (DRUMMy's Endless Torment Megamix)

Tampa's very own DRUMMy (Bohan Phoenix, Chauncey) demolishes Basside's Miami mission statement "QLCL." Premiered via Indie Current: tinyurl.com/ybkw8m7v Stream via Spotify, Apple Music, Google Play, etc. song.link/us/i/1361731743 Released on April 13, 2018 Vocals: Basside (Que Linda/Caro Loka) Mixed & Mastered by DRUMMy Sorry Records 2018 https://basside.bandcamp.com/track/qlcl-drummys-endless-torment-megamix

SR15: FIGUR01

Raised in the sticky suburbs of Tampa Bay, Stick Figure’s monolith moment came to the tune of Hybrid’s “Finished Symphony” from the OST to 2001’s finest cyberpunk surfboard Gamecube game SSX Tricky. One kick and the kid's dreamed of breakbeats ever since. Fifteen odd years later, Stick Figure presents his debut EP FIGUR01; the first in a series of incoming bass bundles from Sorry Records and the Stick himself. The first installment is centered upon the berserk Lightcycle race of “Again,” a proper club tune amorphous and dank as can be, “Again" is paired violently with gold star remixes from Sorry Records Secret Weapon Drummy (Kindergarten Records, Juke Bounce Werk), the friendliest Techno producer in Rochester Tony G, and New Jersey Third Wave dark web scenesters Lanlord Lance, whose “Again Again” renders the original’s club menace into bedroom melancholy with a dueling vocal weirdo pop takeover. FIGUR01 is driving music for Pod Racing, club music for the Outback Steakhouse on 23rd st, arena rock for the XFL. https://figur.bandcamp.com/album/sr15-figur01

SR19: FIGUR02

The Second Level of Stick. The latest release from Sorry Records’ resident breaks loving digital dude Stick Figure is here. FIGUR02 is four tracks of controlled club chaos drawing influences from London to Corneria. 1. The Melrose Tune 2. O Razor 3. Route 4. Food Poisoning (feat. Tony G) FIGUR01 - Sorry Records Released on December 7, 2018

SR23: Kratom Rock

Dark Green energy and powdery goo coagulate to birth ART DLR's second single of the Work Flows era. Introducing KRATOM ROCK.

 A collaboration with the beach bum GRANATA, ‘Kratom Rock’ is an amorphous fever dream, burnt from climate change and brain damaged from legal drugs. Formed from a bent out of shape guitar noodle and untraceable youtube samples, Kratom is a hip hop adjacent journey from dusk til dawn that won't clock out. Offering an expanded take on the Kratom Sonic Universe, the original mix is accompanied by three circles of Kratom induced spiral: the EDM makeover of Los Angeles producer notesfortroy’s ‘Kratom Radio,’ the solemn swirl of Shanghai based Do Hits affiliate Alex Wang’s 'Kratom Outro,’ and the bone rattling post credits horror of Stick Figure’s 'Kratom Dub'. released August 14, 2019 https://artdealer.bandcamp.com/album/sr23-kratom-rock Kratom Radio - Produced by notesfromtroy soundcloud.com/notesfortroy Kratom Outro - Produced by Alex Wang alexwang1.bandcamp.com Kratom Dub - Produced by Stick Figure stick-figure.bandcamp.com Production - ART DLR Written and Vocals - Granata Sax - Jack Rowland Mixing - Tony G Master - Jachary SR23 - Sorry Records 2019