Discover 71 breakbeat releases with free Bandcamp download codes from independent artists and labels.
A collection of breakbeat numbers, occasionally on a dark tip. The photo was originally taken at a flat party in 2000, names have been changed to protect the innocent. All tracks written between 2000 and 2005.
Old skool flavoured house, jungle tekno and acid-fuelled trip hop. Mastered by Shell Yeah Audio.
A brilliantly haunting remix from Everyday Dust heads up this collection of my output from 2020. I hadn't written anything since 2005 so it was great to get back into things and get some new material out there. Thanks to all you super kind folk on Bandcamp who have bought or even listened to the releases. Thanks to Everyday Dust, The General and Forest Basha for their brilliant remixes and thanks to EdiePeachesDesign for the artwork. Mastered by Shell Yeah Audio.
THIS ALBUM WAS MADE BY A HUMAN MADE BY EDDIE PALMER
Dark minimal breakbeat
The year is 666 AAI (After AI) and somehow I’m still alive. Under the moonlight, I lead the District 6 band of humans on copper scavenging missions so we can melt it down for instruments. We brave predator drones patrolling scrap metal wastelands and haul our loot back to the forge. As we pass a billionaire spaceship crash site, our drummer bangs out a breakbeat rhythm on the trashcan she repurposed as a shield. Sal joins in on the didgeridoo and then our bard beatboxes. The reflection of the full moon off the spaceship creates a mesmerizing pattern on the ground, I imagine this is the effect disco balls had when clubs were still around. I tell the band that we'll set up camp here. Tonight we’re gonna Get Funky. ~ Adam C-4’s “Get Funky” is a delightfully dark and playful club-ready tune that checks all of the boxes for the "secret weapon" folder on your USB. LFO-guided bassline undulations set the stage and are soon joined by syncopated percussion, intoxicating acid synths embellished by a shimmering lead, and the grounding broken beat of Adam C-4’s kick drum. The intensity increases as irresistible 2-step drum programming, tastefully processed vocals, and a memorable, eclectic range of synthesizer sounds coalesce into catharsis. Whether... more credits released September 17, 2026 Composed, recorded, and mixed by Adam C-4 Mastered by Kevin McHugh (Valence Studios) Album artwork by Alex Rubenstein (Black Magic Recordings) Black Magic Recordings | BMR040
|| a new window is open || || window to ‘facet’ closes 04//11//26 and will be gone forever || || all proceeds go to doctors without borders || ///////////////// undercurrent oo1 /////// \\\\ sol elicio \\ monotrope \\\\\\\\\\ ////////////////////////////////// f a c e t /////// \\ art by matt francisco \\\\\\\\\\\\\\\\\\\\\ //////////// conduitcreativecollective //// || how we shape the world || || is what the world becomes ||
ATD002 Cuatro temas armados a punta de prueba y error, entre drum machines, hardware, software y cualquier recurso que pareció tener sentido en el momento. Ectotermia se mueve entre el electro, el downtempo y el IDM, con un pulso funky que atraviesa el disco sin renegar de su propio sonido. Incluye remixes por Seudo Plot y René Roco --- Four tracks built through trial and error, using drum machines, hardware, software and whatever else made sense in the moment. Ectotermia moves between electro, downtempo and IDM, with a funky pulse running through the record without disowning its own sound.
13 track album
A raw underground track driven by classic 303 acid house modulations and high-energy breakbeat rhythms.
dubby breakbeat techno at 107 and 140 BPM
this is a cassette of some of my 90s-inspired ambient techno and IDM tracks, many of which were made with hardware.
this is a small collection of some of my deep, 2k-inspired, slightly jazz-infused, rollery dnb tunez... for anyone who cares to listen.
Young Cape Town-based producer Moosha makes his debut on TM with two house-focused dance-floor heaters. Jacking drums and breaks against heavy bouncy basslines, moving between dubby, submersive depths and sharper, stratospheric pressure points.
About: 5o!dub This track was made using several layers drum samples that make you either feel it as fast or doubled down. It was used for an opening dance performance during an event series I'm curating called Recess. Making and listening to it gave me similar sensations to skateboarding (5-O) using smooth dubstep rhythmics (there you go you can understand this title now!). About: Aphotic Zone Probably the track that no one listened but everyone enjoyed. I guess it got below the radar when it came out. I'm quite happy with the result and it weirdly took me ages to finish it, getting stuck into the loop not knowing where it was going, then accepting that this is a loopy track and it needs to be like that and now I think it make sense, it sounds like me when I made it and it still sounds like me years after. If you're into clubby deep techno with background ethereal pads, might be for you! <3
La sombra más grande de la habitación, el arquitecto del laberinto. Su firma está en el pan que comes y en la bala que te busca. Un dios de pólvora y contabilidad que no perdona los centavos. Ofrece cobijo con una mano mientras la otra afila la guadaña. Ser el dueño del juego significa que nunca juegas solo.
Seven slow (142 bpm) dnb/jungle and breaks/breakbeat tracks using samples from PlayStation games and old 90s sample CDs. Slower and more melancholic sounding PlayStation dnb/jungle y2k style.
CHEAP-061
New Alien Alarms music warning of a world where, after generations of human innovation, breakbeat gets stuck in a vortex of increasingly generic beats generated by AI feeding on itself until it suffers model collapse. Featuring remixes by em—, Lewis Clay, LEKEMO and Ned Rush.
![Sweep - Message Received EP [RS031]](/_next/image?url=https%3A%2F%2Fcdn.band.codes%2Frelease-f42cfa15-c408-4efb-b2e5-9a0948709887.webp&w=3840&q=75)
