Discover 40 breaks releases with free Bandcamp download codes from independent artists and labels.
After an extended hiatus, Stickleback is back with his new release. Bursting with verdant fecundity, this release is both intricate and experimental whilst still being sonorous. Four tracks of audio diversity have been competently complimented by the remix duties of fellow label artists Garagee, Arcane Trickster, Lonely Faces & LazyBoyProactive. Artwork for this release has been provided by Jonathon Goodfellow with his piece 'Undisclosed', which captures the abstract and complex nature of the music. This release furnishes the listener with literal audio fireworks for your pinnas! More from Stickleback: tempestrecordings.bandcamp.com/album/nasti tempestrecordings.bandcamp.com/album/taxonomy tempestrecordings.bandcamp.com/album/ask-yourself-single-ep tempestrecordings.bandcamp.com/album/slipping-on-black-ice credits released June 30, 2017 Mastered by Cydelix @ MB3 Studios, Greece Sleeve art by Jonathon Goodfellow Sleeve design by Rob McPherson
SASHA ROME \\\\\\\\\\\\\\\\\\\\\ EVER REASON EP ///////////////// +TRIPLESET \\ KASP \\ YIANNA \\\\\\\ ART BY @ALISON_RC //// \\ CONDUITCREATIVECOLLECTIVE \\\\\\ /////////////// COND034 /////////////
"Silver Moon" is the debut album from Lonely Faces, the alter ego of Melbourne based producer Michael Baum. "Silver Moon" spans a variety of influences. Diverse in stylistic breadth, the album was created as an aural experiment on classic analogue synthesizers, heavily influenced by classic techno and electro sounds. Michael made his debut on Tempest Recordings as one half of liquid drum and bass outfit Guilty Hero, on their debut album "Sweethearts", before debuting Lonely Faces on our landmark 50th release.
The Baltimore Club we know today doesn’t exist without Rod Lee. Before 2005, Rod’s music was only ever released on hard-to-come-by 12-inch singles, largely only ever distributed around Baltimore. It was only after the release of a 7-volume series of mix CD’s in that year that his music began to leave Baltimore, and provided Rod with the ability to present his music in a long-form format on his terms, interspersed with CD exclusives and the occasional tracks from the community of his club peers at the time. "Vol. 5: The Official," released in 2005, is the installment of this series that put Baltimore Club on the map. It was the first nationally distributed Baltimore Club release, and the mix immortalized the most celebrated club track of all time - "Dance My Pain Away." After this CD was released, the track spread like wildfire and led to its inclusion in the soundtrack of the HBO TV Show "The Wire." This release marks the first time this mix – an artifact of Baltimore music and club music history as a whole – has been released on vinyl.
4 track album
///////////////// COND033 ///////////// \\\\\ ALEPH \ \\\\\\\\\ ///////////////////////// EN PARTE //// \\ REMIXES BY OLAN + VELLE \\\\\\\\\\\\\\\\\\\\\\\\\\\ //////////// ART BY @drama_bond //// \\\\ conduitcreativecollective \\\\\\\\
Split album of long form work by Paul Reset and Everyday Dust.
|| a new window is open || || window to ‘facet’ closes 04//11//26 and will be gone forever || || all proceeds go to doctors without borders || ///////////////// undercurrent oo1 /////// \\\\ sol elicio \\ monotrope \\\\\\\\\\ ////////////////////////////////// f a c e t /////// \\ art by matt francisco \\\\\\\\\\\\\\\\\\\\\ //////////// conduitcreativecollective //// || how we shape the world || || is what the world becomes ||
///// new signal detected ///////////// \\\\\ bushfyre \\ birmingham \\\\\\\\\ /////////////////////////continuum_ep//// \\ art by @jj_disaster \\\\\\\\\\\\\\\\\\\\\\\\\\\ /////////////// conduitcreativecollective ///////
Omnitron debut with classic electro touch! Remixes by Empath, ODJ Pirkka and Omnitron himself.
[[COND031]]]]]]]]]]]]]] \\\\\ without the san \\ los angeles \\\\\\\\\ ///////////////// hurt you ////+++choopsie remix /// \\ art by matt francisco \\\\\\\\\\\\\\\\\\\\\\\\\\\ //////////// conduitcreativecollective ////
Neon lights flash past, blurring into tracers as I reach an impossible speed. Underneath the rushing chaos of the city, the signal from 666 FM begins syncing my wetware with the engine. Now that my flesh and ride speak the same language, a different kind of magic is taking shape. The old world reached its limit, so I hit R.E.S.E.T. to deliver the future. This is Black Magic 2.0. ~ Omnitron is the neuromancer behind this month's electro banger, "R.E.S.E.T." This one pushes past the 140bpm mark and runs on pure adrenaline, pairing gnarly acid and electro synths with playful effects. The track twists and snarls along its course, using bursts of distorted vocals to keep the listener guessing. Beneath it all, killer drum programming locks everything in motion, maintaining the relentless energy and undeniable groove
A raw underground track driven by classic 303 acid house modulations and high-energy breakbeat rhythms.
5 track album
Some performances ask for attention. Others quietly reshape it. We’re honored to present a new live performance from Minneapolis electronic artist Jesse Whitney, whose work unfolds between intricate IDM, immersive ambient, electroacoustic composition, and deeply textured sonic exploration. The recording was performed live at NEW WORLD in Minneapolis, April 24, 2026. For more than a decade, Jesse has cultivated both a record label, Æther Sound, & Envelop, Minneapolis’ beloved deep listening series, creating rare spaces for listeners to experience adventurous music with intention. Following Envelop’s final showcase in 2025, its influence continues to resonate through the artists and community it helped foster. Æther Sound continues to explore new territories. This performance reflects that same spirit: patient, detailed, and rewarding for those willing to disappear into sound. Take a moment. Turn up the speakers. Listen deeply. credits released July 22, 2026 All sounds by Jesse Whitney Artwork by R. Miller Mastering by Tunnel @ Webuildmachines
More and more horrors compete for our emotions every minute of every day and it may seem like the doomscroll has won the war for our attention. We dismiss each horror as quickly as it comes, swiping it away only for another to take its place. As this cycle continues, the tepid salve of thoughts and prayers evaporates like a drop of water against an erupting volcano. Music will always be our way forward through the chaos, so join us! Say 6 hail satans, take some acid, and eat your prayers. Make Mills returns with "Eat Your Prayers," a hypnotic blend of acid and rich melodic textures, and of course, an abundance of blistering breakbeats. The opening’s raw explosive power hooks you immediately, showcasing Make Mills’ signature style dialed to 11. The track continually evolves from there through shifting rhythms, lush harmonies, and a deep bassline, maintaining emotional resonance amidst familiar jungle motifs throughout. "Eat Your Prayers" is insistent, unforgettable, in your face, and sublime. Make Mills has done it again! Ladies and Gentlemen ... you have 6 days. For my heart /4 in the LGP Composed, recorded, and mixed by Make Mills Mastered by Kevin McHugh (Valence Studios) Album artwork by Alex Rubenstein (Black Magic Recordings) Black Magic Recordings | BMR038
Arabic club bass heat! Been demolishing venues since Reginald started testing it out in February. Now out for your consumption. Yalla yalla!
This single was released for halloween, so it has a spooky thing to it. Kind of dubby electronic with some 80s and 00s blends. It gets a bit of airplay. Thanks for listening.
Remember when the Internet was still fun? Remember when technology was weird and colorful? Remember those goofy Flash games everywhere? I remember.
