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Mothra, So's second full length album, showing much more variation between tracks. Songs frequently feature loud noisy sampling, many drum samples, percussion and drum lead tracks with minimal melody, and a very wide and interesting range of things sampled, hard to trace back to origins. The album includes varios different sounds and experiments, making each song truly different. The plunderphonics-based metal segment in MY FRIENDS FROM HELL. The entirely made from bass hit samples SHIT. The much more mellow, hip hop-adjacent GIVE IT TO MEH. The trap song CLARK, sampling the C418 track of the same name. The silly and random HUZAH. The almost gabber 1OF4, and the delay bank-made noise segment at the end of the same track. The entire album is truly unique and an interesting listen, fusing power electronics, plunderphonics, and hip hop sounds with the noisy sound that makes Mothra, So ever so unique and captivating.