Drone Doom Music

II

6 track album Monolithic Aeons present their full-length, II.The new album is a cataclysmic descent into the abyss, forging a monolithic blend of death industrial grit, suffocating funeral doom, crushing drone, and the jagged textures of power electronics.

Non-Eternal Human Age

6 track album

Chthonic Meditations

Not your yogi’s meditations. These four antiquated sonic offerings—perfidious, cavernous, and insidiously corrosive—drag your moribund vessels and parched souls into the antichamber vault of the Great Old Ones: voracious, unthinkable entities whose mere existence rends reality asunder. Doomseer, chosen conduit of the dust-choked crypts that should have remained sealed for eternity, invokes them through music that is at once atmospheric, hypnotic, and ritualistic down to the marrow—unfathomably dark, tortured, yet strangely contemplative and cinematic. One might imagine H. P. Lovecraft himself composing these pieces in a fevered half-sleep, struck down by visions so vast and inhuman that language itself collapses—had he been a keyboardist rather than a writer. Straddling the liminal space between classic dungeon synth, lo-fi melancholic dark ambient, and cadaverous drone doom, Chthonic Meditations will haunt your nights and erode your days into pale echoes of a prior world—before the tides turned, before time remembered its own collapse. A descent into dust-saturated visions from the time before time. SUPREME SONIC DARK ART. -Sir Kuliktavikt

I Am The End of The World

"I Am The End of The World" is the first offering of Born Erased, a new endeavor by Bulgarian musician Angel Simitchiev, who first appeared on BLWBCK in 2013 with his now-defunct alias Mytrip. As both the project name and album title suggest, the music is meant to evoke bleaker, darker, and even dystopian visions. These are parts of a narrative that is simultaneously deeply personal and universal. Muted anger, despise, and hatred for the world collide with hope for freedom, even if it comes at the cost of the total eradication of the reality we are forced to live in. "I Am The End of The World" took nearly three years to be completed. The backbone of the record was written in a breath but then slowly structured and expanded upon. In this album, Simitchiev juxtaposes his nearly two decades' worth of ambient research with his long involvement in hardcore punk. Severely deformed guitars, cavernous synths, and drastically manipulated recordings of heavy machinery are organically intertwined to become the core of the album. A big part of why it is so impactful is that the gates were open for several guest musicians who added even more depth and character to a record already highly dense with sound. Moss Harvest (tape manipulation and textures) and V0LAND (cello) are found on two of the more straightforward ambient tracks in the album. Shattering, almost doom-influenced live drums on three of the tracks have been performed by Boris Malevanov (Nocktern, Heptagram) which brings this otherwise fragile and drifting genre to its most extreme form.

Flutterings in Abyss

A minimal mass, nearly static, but internally restless. Low frequencies knead themselves. Small ruptures form and reseal. Orientation dissolves. There is no outside, no perimeter, only this trembling density. From within it, something vocal emerges. Not language. Not quite sound. A thin, distant keening. The void, learning how to call. It pulls. Softly. Constantly. It whispers in mud, in rot, in slow suction. The world has become a burned wound that will not close. Cosmic Fumes stretches this state to its limit, until even terror stabilizes, until fear itself becomes calm, stripped, declarative. A final utterance, bare and resigned.

Ichor

Anthropocene