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Pump Media Unlimited Presents Redirections Vol. 2

By picking up where the first Redirections redirected them, and following the calling of the bots, C Powers and CH Rom come together for a bassmaxxing jamboree on Redirections Vol 2. The listener will be tickled directly in the ear by this ecstatic haptic synaptic synthetic type of alpha beta psychedelic funkin cryptozoologico-cornucopia of musical doin-it-daddy. Who can resist with both of the Pump Media Unlimited stars each contributing seven blippy-bloppin’ tip-toppin’, eye-to-eye, ear-to-ear, cheek-to-cheek, splatter-to-platter -type tracks to this hype party we call Life On Earth. There is something for everyone except cops on Redirections Vol 2! Feeling bored/like you are the hole that is bored? Feeling like you want to burst/like you are the bubble that cannot be? Feel a tingling sensation rising in your loins, shoulder, and spleen? Feel body teh file FULL .wav 1312 this is the real life? We’ve got all that covered, like a dust in a dogman Burning Men® semi-international festival, choke enough on Scatman and the Ants yet, party participants? And so thusly you go and check out the ecstatic blowouts on “Choke” and “Missing the Scatman”. Feel the funkin injecting into your cortex when you put on “Get the Party” or “Micro Slut” yes? If upper light spectrum with snare drums party is not your thing then just take a moment to enjoy some “dark” or “vibe” type it’s-not-techno with “Stop Cop City” and “Munitions Dub”. When you strap on the decks and take the stage, but you are not equipped with the right music and therefore you feel unsafe on stage, then play our music and we guarantee your safety.

Drummy | Malik Hendricks | Tony G | Figur | Cranklin

SR21: SORRY TRAX VOL 1

Introducing SORRY TRAX VOL 1 💥 …an all purpose dance floor demolition kit fully loaded with all the rave missiles, DJ tools, and bootleg fireworks you need to move those butts at a moment’s notice! Featuring Drummy, Tony G, Stick Figure, Cranklin, and Malik Hendricks, SORRY TRAX VOL 1 is the label’s first ever V/A release and the inaugural installment in a new series of club-oriented trackpacks from Sorry Records. Multi-genre wunderkind DRUMMy kicks it off hot with ”BLEEDIN.” Built upon a pitch shifted vocal sample, DRUMMy combines irresistibly punchy percussion with some legitimately beautiful strings for a warped uptempo helium soul club KO. Enter the playful rave menace of Stick Figure's "DUAL CITIZEN;” an all hands on deck old skool inspired cut overflowing with buoyant energy and sinister glee. Tony G's massive "STAY TOGETHER" finds the Rochester born producer taking a hard left turn in the aftermath of the dark laboratory acid of his 2018 ACID TONY EP, setting off on a breakneck wave runner race through an Italo House riviera with the pedal to the floor. Fresh off the release of his fantastic Black Chakra EP on Money Cat Records, the great Malik Hendricks exhumes the funk from an early 2000s Justin Timberlake album cut with prodigious precision for the impossibly smooth "NOTHIN ELSE EDIT.” Originally produced by The Neptunes, Malik’s expertly executed disco edit goes down so easy we don't even care about the inevitable copyright lawsuit coming our way. Closing out volume one is a beautiful cut from wildly prolific New Jersey dark web scenester Cranklin who builds upon the sound collage vocal house explorations of last year’s City Slicker with his new offering "RANDOM SONG.” A unique distillation of warped harmonica, found footage dialogue, and chicken scratch guitar loops, “RANDOM SONG” makes for a brisk dance cut reminiscent to DJ Koze if he was raised on first generation YouTube clips and Paul Hardcastle.

The Phantom Menace

TE AMO POPPP [PODRACING001]

PODRACING001 Sorry Records - 2020 https://thephantommenace.bandcamp.com/track/te-amo-poppp-podracing001

C Powers "Mx Mix"

Redirections Vol. 1

MOM Radio and Sorry Records present C Powers' Redirections Vol. 1 I have come to the conclusion that I should not profit by remixing/editing/re-configuring works born out of a social or cultural context to which I have no relationship (or shared cultural context of my own). This cleavage is a product of white supremacist capitalism from which I inevitably benefit as a white person. In opposition to an appropriation-based economy of contemporary dance music, any proceeds will go towards providing direct reparations to people who do experience the marginalizing effects of this superstructure. Proceeds will go to Los Angeles based Street Watch, an organization fighting to empower and protect the rights of poor and unhoused people. I am an active member of Street Watch LA myself and will provide receipts. With all this in mind, I offer this release free to all people not currently benefiting from white supremacy. Please email me for a free copy at [email protected] - C Powers You can also contribute to Street Watch LA directly here: actionnetwork.org/fundraising/emergency-supplies-for-unhoused-la-residents?source=direct_link

Malik Da Freek | Kush Jones

SR36: Primetime w/ Kush Jones Sensitivity Mix

A new batch of primetime edits from the one and only Malik Da Freek ...a.k.a. Malik Hendricks (Money Cat Records, Darker Than Wax, Super Tuff) alongside a remix from Kush Jones (Juke Bounce Werk, Future Times). Premieres via Haus of Altr & Untitled 909. "Piano house meets modern hip-hop on these delightful edits." "Malik da Freek is the edits alias of Malik Hendricks, another player worth knowing in the bustling New York dance music scene. This project is all about smoothness, and you get three piano house tracks that float like an expert skater at a roller disco. What makes Primetime more than just a rote exercise in piano house, though, are its samples, each taken from an '10s hip-hop artist. "Cardi" is probably the most memorable, featuring a 2017 interview with Cardi B and a creepy Tim Westwood, where she candidly discusses her bisexuality and how she never falls in love with girls—all over an instrumental with processed piano chords that imprint and fade like clouds of mist. Hendricks has the power to make an uncomfortable interview sound almost giddy. Elsewhere, he chops up Rihanna and Future's "Loveeeeeee Song" into an Inner City-style jam with surprisingly jazzy chord changes, and flips Travis Scott on "Palm Trees," with one of those itchy-feet pitter-patter drum sections that would make it perfect for a late set wind-down. What's most striking about these tracks is how the vocals don't necessarily hog the attention—these are edits of some of the last decade's strongest musical personalities, but they're united by Hendricks' style and approach. When you can make a house edit about more than just the edited material itself, you know you've got something good." - Resident Advisor (ra.co/reviews/25287)