Discover 4 feedback releases with free Bandcamp download codes from independent artists and labels.
No-input experimental feedback noise + ambient lowercase onkyo influences. Border Vacuums is an exploration of no input pedal feedback using 3x3 matrix mixer 'The Grid' from GenThalz's [as the heart] + pedals: Hook Echo from Dead Air Part Garden from Mask Audio Electronics Absolute Destruction from Death By Audio Effects . 'Part of 10+ hours of audio and video curated for this LOUDsilence album. No additional effects or overdubbing.' Cave Space video playthrough [from September 1st] https://www.youtube.com/watch?v=xIQ_jBNy5Mc 'For you no input purists, the fuzz picks up radio sometimes when touching the texture knob' Cover art is collage made with string and acetone on a shipping label. Cave Space [Baltimore, Maryland] Cave Space is an experimental DJ and musician from Baltimore, MD. His work combines elements of ambient and drone with noise and field recordings to create soundscapes and textures. As the owner, curator, and graphic designer of Tectorum Tapes, he aims to share the sounds of others while encouraging intentional listening to physical media and live performances. https://cavespace.bandcamp.com . [Listen. Save. Download] 'Border Vacuums' by Cave Space [lsd220]
(36 track album) Transmission Recovered: I HEART FEEDBACK Returns via Voidhaus Greetings, fellow noise worshippers — Voidhaus is proud to announce the reissue of a long-lost and cherished transmission from the archives. Originally released on March 31, 2012 under the Muchausen Sound imprint, the compilation I HEART FEEDBACK returns home under the Voidhaus banner. A blistering celebration of feedback, harsh noise, and experimental sonic manipulation, this compilation features a lineup of artists whose work embodies the restless, unpredictable spirit of raw signal decay. We’re thrilled to give this release new life within the Voidhaus Archives, preserving its unfiltered chaos for new ears to discover. Available now via the Voidhaus Bandcamp. Thank you for continuing to walk with us through the static. Not all transmissions return — some echo forever.
An album that uses silence as much as noise to create a sense of ever-evolving, volatile foreboding dread through ritualistic acts. Dynamic feedback and tortured vocals are more the work of abject supernatural possession than any witches' magick.
Our feedback oriented compilation Almost Always Considered Undesirable. Guitar walls, no input mixing, straight up noise, delicate ambience, it's all here. I first conceived this compilation in the early days of Silber, but it never quite gained enough traction to come together. If it had come out in 1999 it would have been a noise guitar fest, what we have instead I think is much more interesting. Not only do we have guitar gods thundering, we also have delicate pieces of audio engineering & sound manipulation that were nearly impossible all those years ago. Listen up & experience sonic explorations that make you feel the wonder of a youth again.
