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Nowhere Fast

A middle age, middle England, Post Rock, Jazz Folk Road trip. The BBC Late Junction show named their ‘Senseless acts of beauty’ instrumental album as “One of the most ear catching records of the year” with recent albums and singles receiving BBC and international acclaim. Ivor Novello winner Joris de Man called The B Roads "Off-kilter, original, and refreshing” music that “constantly keeps you guessing”. Based in an ancient Military Barracks in the exact center of England, their fourth album – ‘Nowhere Fast’ is the crossroads meeting of Post Rock and Jazz folk. Half instrumental, half song, as usual, atmospheric and laid-back, with lush arrangements, and songs of when AI gets personal, of crossing boundaries, of yearning and longing, of the weave of love, of the mouth of the man in every town, of folklore, of approaching death, of the endless road going nowhere fast. An original organic voice, the road less travelled, the scenic route, the winding road, the long way round, going nowhere fast.

Barrelly Ego

Bearly Eagle

The allegorical donkey in the lion's skin, but it's a bear that wants to be an eagle that wants to be a bear... who cried wolf. A short anthology of socio-geo-political musical takes meant to help me cathartically tackle the most recent world changing events of the last 10 years.

Zora Kirin

The Bones Are Beautiful

A dose of hopecore to light your way when the world feels crushing and dark: Zora Kirin’s debut EP releases four songs on her 40th birthday. The Bones Are Beautiful spans nearly two decades of writing, from the restless hopefulness of "Fly On", written before Zora turned 25, to the hard-won clarity of "Step Forth", written in her late thirties. That they find each other here, on a single record, is itself the EP’s central argument: that hope is not naïve, and that joy is something you return to, again and again, across a whole life. The album starts in the spring of life with Fly On in awe of the world and its bursting colours. Summer dawns with Let's Play Pretend as a newly adult body discovers love. Step Forth comes in autumn with encouragement to taste all of life before it’s gone. And finally, winter falls with Mulberry Tree, a love song from the grave encouraging the living to make the most of their own seasons. Rooted in acoustic folk and shaped by years of storytelling, The Bones Are Beautiful is an indie folk record about the long work of becoming. It does not promise the world will stop being hard. It promises something more useful: that there is always a light to be found, if only you'll look. 01. Fly On 02. Let's Play Pretend 03. Step Forth 04. Mulberry Tree Tour updates at zorakirin.com

Rivulets

d e m o s

d e m o s captures an era of Rivulets that hasn’t been documented elsewhere. During the first formative year of Rivulets, an important part of the band was bass player Jason Seckel, whose minimal long sustained notes style can finally be heard for the first time by many fans. You get to hear early versions of songs like “four weeks” and “past life” along with unreleased songs like “sick love” and our personal favorite “anyway.” - Silber Records If you dig this, please checkout the rest of their catalog.

Eli Shane

All You'll Be is Song

this is an album to walk your dog to or listen to on a plane/train/car ride or to smoke a joint to; to listen to in your headphones and read the lyrics along with and to find a favorite lyric from and discover more in in time

The Infinity Chamber

Reflections of The Infinity Chamber

Reflections of The Infinity Chamber is a bold and imaginative album that brings together a global cast of musicians to reinterpret the songs of The Infinity Chamber in their own unique voices. Spanning styles from introspective folk to gritty rock, cinematic trip hop to art rock, and even playful ukulele renditions, each track offers a fresh perspective while honouring the spirit of the original.

Daguerreotypes

This Is My Way to Tell You That Everything Is Real and Happening Right Now

“This sort of tremulous sincerity can be frightening to those who are unaccustomed to it. For Farr, the sincerity is the point… Farr’s music [demands] gently that you open wider, admit more of the world. And the music itself, rich and warm and enveloping, glimmering in all corners with lovingly wrought sounds, beckons you forward.” - Pitchfork "Read the liner notes, get this intense double record." -Will Oldham, Bonnie 'Prince' Billy "Refined yet dark folk music with an unsettling, Gothic atmosphere" - Rolling Stone Japan “I will die on the Daguerreotypes hill. I’m dying on Daguerreotypes mountain.” - Zola Jesus, Talkhouse "Full of small cosmic details...[Samimi Farr] zooms in on tiny personal moments and blows them up into something epic.” - Bob Boilen, creator of NPR’s Tiny Desk Concerts and All Songs Considered "It's by far the best music anyone I know has ever sent me — I feel like Kurt Cobain just sent me Nevermind — I'm serious. It is a completely sincere and open-hearted album that has arrived when it is most needed.” - Devon Welsh (Majical Cloudz) “Beautiful, meditative…a soundtrack to carry us through... more credits released December 28, 2025 All songs by James Samimi Farr Produced, engineered, and mixed by Charles James Additional production and engineering by James Samimi Farr Mastered by Harris Newman at Grey Market Mastering Music performed by: James Samimi Farr (Vocals, Guitars, Boing!) Charles James (Bass, Synths, Piano, Mellotron, Cello, Ukelele, Autoharp, Tape Loops, Percussion, Vocals) With help on some songs from: Eric Farr on vocals Simon Honeyman on vocals Spencer Cole on drums Joshua Van Tassel on drums Adrian Gross on mandolin Photo by Layli Samimi license all rights reserved

Yoal

Gloaming

YOAL was formed through a long‑distance exchange between Scottish musician Euan Alexander Millar‑McMeeken and Japanese artist Satomimagae, who first connected through a mutual admiration for each other’s work. Their relationship began when Euan invited Satomi to remix a Glacis track for his album Interpretations—a small gesture that opened an unexpected line of communication. What started as a simple artistic request soon grew into an ongoing correspondence, shaped by everyday observations, and a growing curiosity about each other’s cultural environments. Over time, this steady exchange built a quiet but deep sense of trust. As their dialogue evolved, so too did their music. Drawing unconsciously and then more deliberately on the traditional folk languages of their respective homes, their collaboration became a meeting point between English and Japanese sensibilities. Melodic phrasing, pacing, and tone echo folk traditions from both cultures—not through imitation, but through shared values of simplicity, repetition, and emotional honesty. 'Gloaming' emerges from this crossing of paths: a record shaped as much by correspondence and cultural exchange as by sound. Distance becomes connective rather than divisive, allowing English and Japanese influences to sit side by side, fused into a single, understated musical voice defined by patience, intimacy, and care.

Rivulets

I Am No One

A sadcore single from Rivulets

Aizat Haris

The World Keeps on Spinning

A collection of songs by Aizat Haris

Insignificant

Become EP

Debut EP

Aloysius the Band

mortise+tenon

cosmic indie bedroom folk