Noise Rock Music

Eschatological Ambivalence Research Synaptic Hologram Orgone Tesseract

Increasingly harsh noise, 60 minute, four track album. E.A.R.S.H.O.T. was very productive a few years, recorded with Steve Albini, toured the US twice, broke up without releasing any music. Shoot this into your ears.

dEATh

The album dEATh by Kyoto experimental noise-sludge band EAT is a punishing and uncompromising magnum opus of auditory devastation. dEATh merges massive, down-tuned doom riffs with suffocating layers of raw noise. Split across two massive side-long movements (Side A and Side B), the album operates less like a traditional song cycle and more like a slow-moving industrial train wreck. For Fans Of: Noizegoat, Khanate, Burning Witch, Corrupted, The Body

Garden of Delights

My debut album under the 'John Titor's Time Machine' name. I was in a kinda weird time in my life where I was stuck doing a dead end job and wanted to achieve my dream of becoming a famous musician lol. I played guitar pretty much all my life but never committed to it since I hadn't been diagnosed with ADHD at the time. Once I got diagnosed in 2023 and began taking medication I started practicing guitar everyday and got to a point in early 2025 where I felt confident enough to make and release my own music. I released my EP first (called 'Another Thousand Summers for the Glittering World') in February and got such positive feedback that I decided to immediately start working on my first album. After a six week crunch I released 'Garden of Delights' to the world and it's been history ever since. Thanks to everyone who has supported me in the past 2 years and I hope the John Titor project lives to see another year in the big 2027! Turn on, tune in, drop out -Millard!

It's Time to Bounce, Amigo!

Running in at 50 minutes 'It's Time to Bounce, Amigo!' is a shorter and sweeter affair compared to the self-titled sister album released earlier this year. The goal this time around was to challenge myself a little bit and create an album with shorter catcher songs and have me singing on every track (no filler all killer!). I wanted to get this done before I moved to Miami so I was in a bit of a time crunch but I think I did a good job with the time and resources I had. I am especially proud of songs like melting world and the title track, really proud of how I layered my vocal harmonies on those tracks =D I was influenced more by punk and dance acts this time around with the likes of Pixies, Shellac, Lizzy Mercier Descloux, and Deutsch Amerikanische Freundschaft being on my mind when working on this project. I wanted this album to reflect my taste a little bit and show the breath of what I can do. It's a little proggy, It's a little industrial, It's a little groovy, and it's a little bit crass! To be honest my life since moving here has been pretty hectic so far with me trying to find a part-time job and going to FIU fulltime so I'm not sure when I'll return to the John Titor moniker. I want to integrate myself in the south Florida music scene and start collaborating with more people and doing that will obviously take more of my free time away. I feel obligated to at least release one more album under this stage name and wrap up things in a nice bow. Whenever I find my routine and settle in I'll hopefully be back running this time machine in a jiffy but we'll see. Only time will tell! Thank you for listening and have a safe travel from the other side - Millard (Turn on, tune in, drop out!)

John Titor's Time Machine

Recorded between August 2025 and January 2026, 'John Titor’s Time Machine' is the culmination of six months of hard work, many sleepless late nights, and obsessive refinements and revisions. It is a concept album about John Titor (a time traveler from the year 1998) being trapped in an alternate timeline where Joseph Smith successfully turned Mormonism into the biggest religion in America. Soundtracked and influenced by the likes of Squid, Siouxsie and the Banshees, and The Police, it chronicles the tale of a lone time traveler unwilling voyage into a eco-brutalist hellscape that is inspired by the works of Ray Bradbury and Aldous Huxley! Be prepared to be taken on a journey and to look beyond the veil that blinds us all. Turn on, tune in, drop out. Safe travels from the other side- Millard

DRA1N

Recorded by Steve Albini, this 6-track album was never released because the band broke up in poverty and despair. E.A.R.S.H.O.T. from Cape Cod, MA was experimental noise and math rock. Played with Unsane, Shiv, Holy Cow, Glazed Baby, Iowa Beef Experience, Alice Donut, Crash Worship, King Missle, Ed Hall, Dagobah, Chmbwmba, Piewagon, Chilmark, Uncle Wiggly.

Men Are Monkeys. Robots Win.

1998 called, they want the future back. Dystopian prophecy comes true with a surveillance state surrounding us on every street, with cameras and drones scraping our data and monetizing every second of your life. Your phone is listening. Artificial general intelligence becomes superintelligence, inhabits all objects including humanoid robots and analog humans with wetware, neuralink. Humanity is obsolete. War for profit is the economy. You have no choice, you have no options, you can't afford life, you can't breathe.

Wrongathon

Josh Newton from Every Time I Die / Shiner / Reggie and Full Effect Joel Hamilton from Book of Knots / Players Club / Battle of Mice Richie Toomer from Chilmark / Sie Lieben Maschinen / A-Team David Silver from Season to Risk / Afuma / Drum Corpse https://www.discogs.com/artist/2807776-Iron-Rite-Mangle Mastered by Duane Trower at Weights and Measures Soundlab 2021, from assorted tape archive. Oaf Crusha 2021 mixed/mastered by Joel Hamilton at Studio G Brooklyn; Oaf Crusha (demo), Wrongathon, Frigonometry, Cake, Both Ways remastered 2021 by Joel Hamilton at Studio G5000 Brooklyn. Mangle played mathy noise rock in the vein of Botch, Don Cabalero, The VSS, Fucking Champs, and Table. They played shows in the northeast and midwest with Dagobah, Neurosis, Idiot Flesh, Cheer Accident, Uz Jsme Doma, Shiner, Season to Risk, Molly McGuire, Pachinko, Zeni Geva, Esoteric, Coalesce, Arab on Radar, barkmarket, Craw, Today is The Day, and most importantly Wesley Willis and Quiet Riot. “I love your heavy metal band.” -Wesley Willis.

Total Recoil

Spaghetti Blacc is UNBOUND. A free electron with no prescribed orbit, no genre-cage, no sonic immigration papers. They go wherever the hell they want, whenever the hell they want, and apparently nobody has yet invented the authority capable of stopping them. Their passport has only one stamp. And it's labeled INFINITY (OH MY FUCKING GOD). One minute: a surrealist MC with a venomous flow and an almost unnerving self-possession, calmly dispensing verses over floating-libidinous atmospheres—avant-garde, psychedelic, supernatural, delicately opiated things hovering three inches above the floor at 4:17 in the morning. Then something snaps. And they mutate into a ONE-PERSON BRUTAL-PROG / NOISE-ROCK EXTERMINATION UNIT, emptying barrels of sonic fluoroantimonic acid over our poor screaming carcasses. MF DOOM. Lightning Bolt. Masonna. JPEGMAFIA. Autechre. Ruins. Boredoms. This Heat. Stockhausen. A Gagaku Ensemble that ingested a copious amount of shrooms. ALL OF THEM TRAPPED INSIDE ONE HUMAN BEING WITH A VERY BAD ELECTRICAL PROBLEM.

The Shattering

Its the end of the world! Obviously. Paranoid ranting about mentally ill artificial intelligence imploding technology into self replicating drone swarms and disaster-bots as the sun fries Earth with superflares and humanity is rebooted. They knew this would happen and didn't warn us. Your entire life is on camera. They are reading your thoughts right now. Everything you know is wrong.

Dehanta (Ten of Swords)

Computer God

Canibalismo

9 track album

PONGO

8 track album

Pinhead

"Here’s the debut album by one of the most promising Macedonian bands which follows right after their two EPs and singles from last year. Corrosion step up the game on this one and you can definitely hear the devotion and maturity that this very young group has. Their sound quickly brings to mind many indie bands from the 1980’s onwards, their resemblance to SUNS (the early 1990’s legendary band from Skopje) being most apparent, but there’s no doubt Corrosion are on a journey of their own. This 40-minute release is like their very own sound playground where everything is thoroughly explored. They jump between songs with such flair and stubbornness at the same time, but also give each song a definite mark. They sing in Macedonian and English and the album is full of rich instrumental sounds, segments, and arrangements. But above all, they play and write songs with such ease you rarely hear among teenage bands. It's no coincidence that Corrosion come from the small town of Bitola which has been the home of many talented Macedonian artists through the years and with this album Corrosion seriously exceed all possible expectations. No doubt the best of this young group is yet to come. (Damjan Manevski, Rush to Relax, LELEE) Recorded in Studio Alshar in January 2022 Produced by Ivica Jankulovski Mixed and mastered by Rade Bikovski Cover by Andrej Siveski Andrej Siveski - guitar, vocals Viktor Stojcheski - drums Gorazd Hristovski - bass on tracks 1, 3, 4 Rade Bikovski - bass on tracks 2,5,6,7,8,9,10 Ivica Jankulovski - vocals on track 6 Чернобил video: youtu.be/Q2hfZ_XkKZY Follow Corrosion: linktr.ee/corrosion.mk

From the Dust

This time we go back in the year 2008 and dig into our archives, revealing at least for us, a precious little piece of Macedonian music history. KLO (Keen Lone Observers) started in Prilep as a music relationship between Sonja Dimitrioska and Dean Zmejkoski, that turned slowly into a band once they moved to Skopje. They had their first concert ever at Kanal 103 in April 2006 (check the bonus item) and occasionally performed until 2009. And that was it, short and sweet. Recorded live at Kanal 103 radio, 30.11.2008. KLO on this release are: Sonja Dimitrioska - vocals, flute Dean Zmejkoski - guitar Nikola Drvoshanov - bass Goran Poposki - drums Recorded by Alen Hadzi-Stefanov Mixed by Dean Zmejkoski Cover photo by Kristina Velkovska Cover design by Tanja Vukobrat

Salema Cardumen

It comes back to seize me. That sensation that clamps itself around the viscera, while simultaneously spawning kaleidoscopic dragonfly-thoughts in the gray matter—thoughts that bloom into a wild, untamed matrix of beauty, unruly and unrestrained. A full-body contraction in the face of an avalanche of euphoric feedback, collapsing the self into something porous, trembling, barely distinguishable from sound itself. A paradoxical feeling of levitation through unruly, fantastical skies, ten thousand miles above a world already deranged beyond recognition—while still being nailed to the ground, hammered by impossible sonics, by rhythmic architectures of staggering precision, by heaviness transfigured into voluptuous grace. Yes. Camellia Rose Tree are back. With force. With their brilliance untouched. There is nothing quite like this.

КПД-0

This double 12" LP is the ultimate release of the cult Sofia underground band КПД-0. It consists of "II" and "Зад стените на голямата къща" - an album and an EP, originally recorded in 2002 and 2004. Double vinyl limited to 154 hand-numbered copies in a gatefold cover with each artwork, developed on matt photo paper and hand-glued. Includes a 12-page booklet with lyrics and band history from the perspective of key Sofia underground musicians. All imperfections are on purpose.

IHNDIGS008 // Songs I Like To Sing

Collection of covers! Featuring Bambara, Harvey Girls, Tera Melos, Trippy Wicked and more tackling material by Husker Du, Big Black, Hank Williams, My Bloody Valentine, Sleep and many more!

Nation

A 7-track album (tracks 2+3 and 7+8 are one song split) that is my biggest and most ambitious project yet. Across nearly 2 hours, the album blends a lot of genres I enjoy, most notably being Post-Rock, with some noisy stuff, some Post-Punk influence, and some ambient influence as well.