Singer Songwriter Music

Discover 21 singer songwriter releases with free Bandcamp download codes from independent artists and labels.

вонка

"ronka" curls up to fit exactly into the void you carry at your core. it whispers fragilities too small to be seen. it feels aches too great to be faced.

Jesus Jackson und die grenzlandreiter

Acid Kommunismus

Jesus Jackson und die grenzlandreiter, der bestgehütete Geheimtipp der Augsburger Popszene, feiern ihr 25-jähriges Bestehen mit einem neuen Album. “Acid Kommunismus” erscheint als gemeinsames Release der Labels gebrauchtemusik (betrieben von Bandmitglied Gerald Fiebig) und attenuation circuit. Produziert wurde “Acid Kommunismus” wie bereits das 2017 erschienene Vorläuferalbum “Wall of Sound” von Alexander Möckl. Der Gitarrist, Komponist und Produzent ist in Augsburg bestens bekannt durch eine Vielzahl von Projekten wie die Voodoophonics, die Standals und seine akustischen Solostücke.

Christian Molenaar

Jeremiah XVII

Another artist might call an album like 𝘑𝘦𝘳𝘦𝘮𝘪𝘢𝘩 𝘟𝘝𝘐𝘐 their most challenging or adventurous. Across eleven tracks, searing theremins and pulsing reggaeton beats collide with downcast country and fairground field recordings. For Christian Molenaar, it's what counts as a pop record. It would be tough to accuse a collection of songs spanning apocalyptic folk, feedback-drenched soul and steel guitar-laden bedroom pop of "selling out," but Molenaar uses his diverse musical palette as a springboard to launch the catchiest, most direct songwriting of his vast discography. 𝘑𝘦𝘳𝘦𝘮𝘪𝘢𝘩 𝘟𝘝𝘐𝘐 builds off the sound Molenaar introduced on February's 𝘔𝘶𝘴𝘢𝘤𝘦𝘢𝘦 𝘌𝘲𝘶𝘪𝘯𝘰𝘹, a boundary-breaking trip through chamber prog, post-punk, math metal and country, but where that album's ecstatic genre-hopping sprang forth as a pure expression of joy, 𝘑𝘦𝘳𝘦𝘮𝘪𝘢𝘩 𝘟𝘝𝘐𝘐 instead traces a mosaic of doomed relationships through circuit-bent synths and homemade guitar effects. To create the album's distinct sound, Molenaar built a suite of DIY instruments, including optical theremins and homebrew synthesizers, all fed through hand-wired contact mics and bespoke fuzz pedals. "I needed to get further inside the sound," Molenaar says, "to really inhabit the process." But for all the squalling feedback and distorted vocals, 𝘑𝘦𝘳𝘦𝘮𝘪𝘢𝘩 𝘟𝘝𝘐𝘐 stands out on the strength of Molenaar's songwriting. Embracing the sadness and anger of a lifetime of failures and disappointments, Molenaar transmutes these negative emotions into his catchiest, most affecting material yet. An iconoclast notorious for the sheer breadth of his musical and literary knowledge, 𝘑𝘦𝘳𝘦𝘮𝘪𝘢𝘩 𝘟𝘝𝘐𝘐 finds Molenaar making—there's no other way to put it—his most stripped-down and personal album of his career.

David Wyatt

8th Grade

First EP for David Wyatt.

Jordi Farreras

Meridiano Cero

Meridiano Cero is the fifth solo album by Barcelona musician Jordi Farreras, and the first part of the Home Trilogy: three records dedicated to the places where he has truly felt at home. The remaining two, Fenals and Santa, are still to come. This first chapter goes back to the very beginning. To the skyscraper projects on Avenida Meridiana where his parents still live today. To the earliest memories, the first impressions, the textures and sounds of a childhood landscape that never fully leaves you. Thirteen tracks in Catalan, moving through streets, neighbours, light, and time. An intimate cartography of origin.

Christian Molenaar

Musaceae Equinox

Musaceae Equinox began life as a series of improvisations on my neighbor's piano while I watched their cats. (Hi, Coopers!) Those piano improvisations started calling out for other instruments to join the mix and soon I thought I'd have a new collection of chamber pieces, until those chamber pieces started calling out for words and lyrics. After six months or so of work, I have a new album incorporating everything from orchestral synthprog and lo-fi trip-hop to progressive metal and cosmic Americana. This album covers a lot of ground and I'm deeply proud of the final product. I played every instrument on the album including the aforementioned piano, drums, strings, various guitars (acoustic, electric, lap steel) and more trombone than I've touched since my high school ska band days. The pieces are even more kaleidoscopic and ambitious in scope than those on Folies Meurtrières but also more cohesive and, dare I say, listenable. I was inspired by Mary Shelley's "modern Prometheus" to make this album a true process of transformation. Besides Frankenstein, the album features notably fewer literary references than most of my recent work, though of course they appear (it's me, after all): "The Devil in a Forest" takes its title from the eponymous Gene Wolfe novel, "Gigue Like This" borrows from Pound's Cantos and "Piccolo Paradiso" sets the Harold Norse poem of the same name. The cover is one of my bats' blood paintings, which for some reason or another tend to pop up adjacent to Shelley.

Arthur's Wander

Pure & Raw

10 track album + 1 bonus track, 10 artwork images and pdf booklet.

RCHRDHRT

seems pointless

There is, in _seems pointless_ , a reverence for song that is, in some ways, "oldschool." The music here come from the grand singer-songwriter tradition, wherein the songs, if they had been recorded many decades ago, might have been one person with an acoustic guitar. But after Todd Rundgren and Emmitt Rhodes and Paul McCartney, et al. showed that a collection of songs can be written/performed/recorded by the songwriter alone, one person with an acoustic guitar (which can still be an outstanding approach, of course) became less the default approach. RCHRDHRT's _seems pointless_ is quite often one person playing all the instruments--guitars, keyboards, drums--but not always, most notable when violinist Jazzy Letera is on board.

Jordi Farreras

El curioso impertinente

El curioso impertinente is the fourth solo album by Barcelona musician Jordi Farreras, and the first part of the Love Trilogy, alongside the forthcoming Ciudad Lineal and a third album still to be named. The album is rooted in Seville: in the streets, the neighbourhoods, the emotional landscape of a life lived and felt there. A sentimental account of a city and everything that happened within it, built around the particular atmosphere that only Seville carries. Conceptual in approach and rich in personal detail, it marks a new chapter in Farreras' ongoing exploration of memory, place and feeling.

alm

Weak Print

The first draft of this album started two years ago. Mainly inspired by the beloved music of Kurt Vile, Alex G, Neil Young, Women, War on drugs, Slow pulp among many others... youtu.be/rkg2TNF2-xA credits released June 9, 2026 Written, recorded and mixed at home. Drums by Darkirby.

Eli Shane

All You'll Be is Song

this is an album to walk your dog to or listen to on a plane/train/car ride or to smoke a joint to; to listen to in your headphones and read the lyrics along with and to find a favorite lyric from and discover more in in time

Leaver

Hands Like Cages

Three years after their previous record, Leaver return with "Hands Like Cages". Their new full-length album is a mixture of droning singer-songwriter music, this time more centered around vocals and lyrics, and even denser in textures and ambiance. "Hands Like Cages" was recorded in three sessions between 2018 and 2019. Those took place in Sofia, Bulgaria, and Breda, the Netherlands. The album brings feelings of detachment but of togetherness as well, and is more than suitable for everything that has happened to the world in 2020. More than ever, Leaver are indulging in long-form pieces, but those somehow still manage to feel intimate, accessible, and welcoming for the listener.

Daguerreotypes

This Is My Way to Tell You That Everything Is Real and Happening Right Now

“This sort of tremulous sincerity can be frightening to those who are unaccustomed to it. For Farr, the sincerity is the point… Farr’s music [demands] gently that you open wider, admit more of the world. And the music itself, rich and warm and enveloping, glimmering in all corners with lovingly wrought sounds, beckons you forward.” - Pitchfork "Read the liner notes, get this intense double record." -Will Oldham, Bonnie 'Prince' Billy "Refined yet dark folk music with an unsettling, Gothic atmosphere" - Rolling Stone Japan “I will die on the Daguerreotypes hill. I’m dying on Daguerreotypes mountain.” - Zola Jesus, Talkhouse "Full of small cosmic details...[Samimi Farr] zooms in on tiny personal moments and blows them up into something epic.” - Bob Boilen, creator of NPR’s Tiny Desk Concerts and All Songs Considered "It's by far the best music anyone I know has ever sent me — I feel like Kurt Cobain just sent me Nevermind — I'm serious. It is a completely sincere and open-hearted album that has arrived when it is most needed.” - Devon Welsh (Majical Cloudz) “Beautiful, meditative…a soundtrack to carry us through... more credits released December 28, 2025 All songs by James Samimi Farr Produced, engineered, and mixed by Charles James Additional production and engineering by James Samimi Farr Mastered by Harris Newman at Grey Market Mastering Music performed by: James Samimi Farr (Vocals, Guitars, Boing!) Charles James (Bass, Synths, Piano, Mellotron, Cello, Ukelele, Autoharp, Tape Loops, Percussion, Vocals) With help on some songs from: Eric Farr on vocals Simon Honeyman on vocals Spencer Cole on drums Joshua Van Tassel on drums Adrian Gross on mandolin Photo by Layli Samimi license all rights reserved

Neev

How Things Tie in Knots

10 track album

Jeremy Tuplin

Planet Heaven

11 track album

Jacques

Estrellas del observatorio

Una dedicatoria completa a Nita, el amor de mi vida en la celebración de nuestro tiempo juntos. Explora la manera de ver al mundo con claridad: desde un amor infinito. Con estas 8 ocho pistas tal vez experimentales para lo inmediatamente anterior espero mostrar un poco a dónde ha ido a parar mi hacer musical. Publicado en octubre 27, 2025 Voz y guitarra (s): Santiago Martínez Arias Instrumentos MIDI: Santiago Martínez Arias Composición y arreglo: Santiago Martínez Arias Producción de audio: Santiago Martínez Arias Concepto visual: Santiago Martínez Arias

Insignificant

Become EP

Debut EP

The Goodness Guild

Wild Women

This EP tells a tale of strong women who stand up for nature, people and love. It takes place over a number of years and covers many themes: the beauty of nature, the natural good of people as well as the bad, how we treat difference, refugees fleeing persecution, passing wisdom down through generations, and the underlying dark element behind far too many people's lives. The songs blend in to one another and are written to be heard as one piece, in order, but they should stand up on their own. The instrumentation is kept similar throughout - piano, strings and flute. There are no drums or guitars. A different version of 'The Witch' appears on the previous album 'Love Is What You Want'.

Jamie Lammers

Now That I've Been Honest

The debut solo single from Jamie Lammers took shape in a songwriting workshop hosted by Cari Minor and Ray Smith of Strangebyrds, with the duo advising how to expand on the original chorus idea. This recording came from an hour of free studio time in Ray's home recording studio, Byrd Nest, that every workshop member received for their songs. With Ray's production, engineering, and arrangement, "Now That I've Been Honest" fully embraces a contemporary folk-rock identity, combining the musical tendencies of the composer/performer and the producer/arranger.

Nell Tyler

Under My Roof

Nell Tyler's debut EP 'Under My Roof' features ten tracks spanning experiences of love, loss and life with disability, taking you on a journey and holding your hand through every chapter. Recorded, edited and produced entirely independently by Nell at their cottage in the country, 'Under My Roof' is an intimate wander through the ups and downs of someone who doesn't quite have it all together, but can certainly write about it.

Page 1 of 2