Discover 82 soundtrack releases with free Bandcamp download codes from independent artists and labels.
Increasingly harsh noise, 60 minute, four track album. E.A.R.S.H.O.T. was very productive a few years, recorded with Steve Albini, toured the US twice, broke up without releasing any music. Shoot this into your ears.
Hello, Here is GNAC * "Scrotchets" * Vertical Features VF4961 Demos & fragments for the album GNAC * "An Octave Of Silence" VF 4860 (2026). All versions previously unreleased. Digital only release. All the best, Mark.
5 track album
Early 2000s college dorm post-rock.
Split release between Giants Of Discovery and Everyday Dust. Two dark and supernatural tales involving cosmic visitors are recounted through music.
4 track album
Experimental concept album exploring the mythology surrounding the relationship between the mortal self and the reflected self.
Second album in the Landscape X series. Three eldritch tales are recounted musically with transformed sounds, synthesizers and tape effects.
7 strange tales are recounted musically with a choir of weathered synth voices, arcane tape effects, tuned percussion and musique concrète inspired sound organisation. credits
4 tracks that dwell on the contemplative side of music. Not exactly ambient, they still aim at creating a space, a sense of place; even induce a feeling of nostalgia (or at least that's the intention). All tracks have been solely produced and directly mixed on the Synthstrom Audible Deluge. The only processing applied outside of the Deluge is the mastering step done in Reason (with the help of Ozone). released April 21, 2023 Composed, produced, mixed (and somewhat mastered) by Alexandre Thomas.
Recorded in Virtual Reality 3026
The Nephrine EP is a short collection of melodic ambient tracks inspired by thrilling and mysterious stories and walks in the lonely forest near my home. This is maybe the kind of music that could be used during a role-playing game session or a murder mystery dinner. This bundle of synth music features mostly the Deluge (from Synthstrom Audible) but also a Korg Minilogue and a SammichSID (on the last track). released February 3, 2023 1. The Stella Ritual 03:53 2. Unfinished Business 04:40 3. Unsettling Presence 04:19 4. The Statues By The Swamp 06:08 5. Invocation Of The Black Fog 07:00
The foghorns return in this long form outing that serves as an extension of the Landscape X universe.
The Relic Room is an ongoing digital archive of lost Everyday Dust material.
Huggs by ThirdTemple. Relaxing, meditative, piano ambient music.
Crafted from scraps of binary and leftover electromagnetic waves of the modern age, sway to the recycled, artificially generated (this album isn't artificially generated) playlist AGAIN made by your trusty (and potentially rogue) artificial companion, Scripty, as you embark on a globe-trotting journey to circumnavigate the world. Check out Side A in my discography! From the official soundtrack and world of Nomad Coming soon to Roblox
SHRIMP GAME: OVERKRILL is an atmospheric third-person looter shooter RPG set in a decaying underwater world replete with horrific sea creatures and Lovecraftian Bosses.
8 track album
Liminal Protocol is a series of environmental studies designed to inhabit the "non-places" of the modern world. Where traditional composition seeks to lead the listener through a narrative arc, these pieces are intended to exist as static features of the room—much like a window, a shadow, or a particular quality of light. The "Liminal" state is defined by the transition. It is the hum of a server room at 3:00 AM; the peculiar silence of a terminal after the last flight has departed; the vibration of a city felt through a concrete floor. This music does not ask for your arrival; it simply marks your presence in the "in-between."
Dariusz Jackowski’s latest EP explores the theme of anonymity. The titles of its four tracks are different equivalents of the word “nameless” in Polish, Japanese, Turkmen and Zulu, respectively. Stylistically, the release moves between film and theatre music, creating a suggestive and tension-filled soundscape. Almost orchestral passages — choral voices and bells — are contrasted with the heavy sound of distorted, droning guitar, giving the compositions a strong sense of drama. The unsettling, western-tinged track “Nanashi” also carries the spirit of Ennio Morricone’s work, subtly filtered through Jackowski’s distinctive musical language.
