no part of it

Celeste Noxx

Celeste Noxx is a South African sound artist who has been studying piano since the age of 11, and actively recording since the age of 18. She self-released her early material in 2023. "Only God knows is a deeply personal project to me because I made it while going through awful substance withdrawal. The reason I went with the dark drone sound was to mirror the isolation and pain I was feeling at the time. I almost didn’t release it because I was so exhausted physically and mentally." "I honestly felt like it was going to be the final thing I’d ever release. I think the final project mirrors the loss of faith I had in my recovery, the only thing I could do was to hold onto God."

gintas k.

Gintas K (Gintas Kraptavičius) a Lithuanian sound artist, composer living and working in Lithuania. Gintas has been a part of Lithuanian experimental music scene since 1994. Gintas K was a core member of the first Lithuanian industrial electronic music band �Modus� . From 1997 to 2000 he worked as an editor on the radio station �Kapsai� for an alternative radio show titled �The Ways and Mistaken Pathways�. Later Gintas Kraptavicius was active as a performer and interdisciplinary artist, known for his actions, happenings, written instructions in a post-fluxus manner. In 1999 Gintas turned his scenery name into Gintas K and started exploring experimental, electroacoustic, electronic, computer music, granular synthesis, live electronic music aesthetics. Collaborations with sound artists @c, Paulo Raposo, Kouhei Matsunaga, David Ellis and many others. He has released numerous records on labels such as Cronica, Baskaru, Con-v, Copy for Your Records, Bolt, Creative Sources, Sub Rosa and others.

Various Artists

A benefit compilation for Travis D. Johnson is underway, co-released by moon musiq and no part of it. This is the truncated subscriber version. For the full compilation, and to donate, head on over to: (Name Your Price) moonmusiq bandcamp com Travis deals with an ongoing spinal injury that has been largely untreated and without disability benefits for over six years. Additionally he has had to deal with severe water damage in his home and other debilitating factors. Johnson runs the Frolic Press label and creates sound art under the project name datewithdeath. He has been active since the '90s. Over 30 tracks have been contributed to this compilation, including Leslie Keffer, Lucas Abela, The Haters, and Gintas K. credits Co-released by moon musiq and no part of it Collage Art by ThisMachineKillsMusic

Leslie Keffer

5 track album

Blood Rhythms

Blood Rhythms is the ongoing collaborative "umbrella moniker" for Arvo Zylo. The unit initially began by arranging live performances of untrained noise artists, who made a blaring racket with whatever horns were around, and called it a "brass ensemble". Blood Rhythms officially debuted in 2010 with Zylo enlisting the entire "avant industrial gospel" band ONO to create layers of noise and vocals with him. Live performances became more of an entourage, which went from drone-like, noisy ambient sets to incorporating scrap metal, power tools, synthesizers, power electronics, and several drummers. Since 2010, Blood Rhythms discography has been relatively spare, and occasionally somewhat intensive. "Assembly" is an LP by Blood Rhythms which was co-released between Zylo's NO PART OF IT label and RRRECORDS. This record is based off of the manipulation of brass and wind recorded in a meat locker. Each LP cover was handmade from recycled materials by Arvo Zylo and Ron Lessard (Emil Beaulieau). "Civil War" is an LP by Blood Rhythms which initially came with a 44 page art book and a gatefold cover. It reflects studio versions of live vocal performances by Blood Rhythms from 2010 to 2016. It features artists from Europe as well as the USA, and incorporates studio recordings with Zylo that were done in Texas, Ohio, and Chicago. Post-pandemic, Blood Rhythms has evolved to be something like a remote collective of mail collaborations, with exception to Justin Lazar, who collaborated with Arvo Zylo in person.

The Meatles

8 track album

Little Fyodor

Little Fyodor (pronounced "fee-ah-dor", a tribute to Dostoevsky!) first hatched into existence in 1981 when college friend Evan Cantor (whom LF had turned onto this Dostoevsky) called him that after the former showed the latter the former's song lyrics which reminded the latter of Dostoevskian characters who "couldn't even get any joy out of their own evil"!! LF solo work was back burnered as the two forged ahead with experimental DIY cassette networking project Walls Of Genius, releasing 30 cassette tapes in three years (1983 to 1986) and becoming prominent enough in this Underground to warrant mentions in books like "Unknown Legends of Rock 'n' Roll" and "Cassette Culture: Homemade Music and the Creative Spirit in the Pre-Internet Age" before the usual band broo-ha-ha led to a breakup and LF going solo.... LF soon met Babushka who took pity on him and formed with him a weirdo rock 'n' roll duo that toured the world and was later joined by the powerhouse rhythm section of Dave Cee and Tricky Dick Wikkit. Several EP through full length studio albums have been released either by Little Fyodor or Little Fyodor & Babushka on various formats and labels plus a live album recorded at a Church Of the Subgenius's X-Day gathering. Little Fyodor writes songs that reflect the alienated under-belly of modern life, wed to music that may alternate or tread the line between experimental and classic punk. Little Fyodor also spent 30 years as a radio deejay on KGNU, Boulder, presenting a show called "Under the Floorboards" featuring music for and by the Insects of Society....

Leslie Keffer

"It has been 2 months since Eric, one of my best friends, mentors, and member of my soul family committed suicide. In the weeks since his passing, I have written “Fulcrum”, an album to work through my grief. The songs appear on the album in the order that I wrote them. Each song reflects a certain stage in my process of accepting and understanding his death- the moments the separation is unbearable, the times when I feel more connected to him then ever, and the spiritual lessons I have been learning since he returned to source. Eric was a prolific healer and he taught me how to hone my own skills as a healer. He was always there for me through the best and worst times. He saw me as I am and encouraged my self expression. We held mirrors up to each other. We communicated telepathically. The connection we shared was rare and unconditional. This album is my final gift to him, a token of gratitude for his presence in my life over the years."