Marax & Aberdeen Abattoir

VoidHaus proudly unveils a new split transmission from Marax & Aberdeen Abattoir — a corroded union of dense Harsh Noise walls and unrelenting feedback chaos. Marax delivers a suffocating barrage of layered abrasion — corrosive textures stacked into a monolithic wall that breathes slow, toxic decay. Contact mic violence, blown circuitry and collapsing loops fuse into a smothering field of psychic pressure. Aberdeen Abattoir counters with industrial slaughterhouse atmospherics — grinding metal resonance, amplifier torture and feedback surgically stretched into slabs of Death-tinged wall filth. The project continues its fixation on mechanized brutality and human erasure, channeling the cold efficiency of the killing floor into pure sonic punishment. Loosely threaded through the split is a conceptual shadow drawn from the crimes of Katherine Knight — an Australian figure whose acts of extreme violence and butchery have cemented her as one of the most infamous criminals in modern history. Her association with slaughterhouse labor and the grotesque overlap of domestic space and abattoir horror forms a thematic undercurrent to the release’s psychological weight and tonal savagery — particularly in Aberdeen Abattoir’s namesake and visual framing. The result is a bifurcated document of human and mechanical desecration — walls that don’t just suffocate, but dissect. Total run time: oppressive. Atmosphere: terminal. Intended volume: punishing.