
Hailing from Türkiye, Koma conjures a bleak, immersive descent into experimental noise ambient soundscapes. Nada unfolds like a decaying transmission from a forgotten realm — dense with spectral textures, distant drones, and fractured signals drifting endlessly into the void. A perfect manifestation of the Voidhaus ethos: uncompromising, introspective, and hauntingly beautiful in its decay.