zeromoon

Al Margolis & Jeff Surak

Old friends and veterans of the 1980s hometaper/international cassette network do their first collaboration in 40+ odd years: Al Margolis (if bwana, sound of pig / pogus labels) and Jeff Surak (-1348-, violet, zeromoon label), creating what Tribe Tapes describes as "going all over the place on this one, plenty of harsh moments as well as amplified domestic sounds and near-skeletal machinery improvisation." released October 1, 2026 by Tribe Tapes mastering: gs mastering & post. artwork: al margolis layout: intangiblearts released October 1, 2026 TRIBE TAPES / TRIBE 114 tribetapes.bandcamp.com/album/violet-if

Rafael Flores

Rafael Flores, spanish composer, sound and video artist. His whole work is milestone of experimental music and sound exploration, he produces audio/videoworks in a very much personal way too hard to define. Rafael Flores build a solid personal universe with an intelligent use of natural recordings and the methods of musique concrete, collages and plenty of other vanguard approaches. Days 1 to 9 recorded & mixed at "LC studie" during may-june 2006 O-Live I-IV recorded live at "atv" 11 july 2006 originally released on cd-r as part of the <<consume buy 2006>> series in 2006. https://rafaelflores.bandcamp.com/

Violet Clon

Collaboration of Violet and Cornucopia. Originally released on cd-r as part of the <<consume by 2006>> series.

Belorukov Škorić Surak

Ilia Belorukov – modular synthesizer Alexandar Škorić – drums & percussion Jeff Surak – electronics & tapes Recorded live in 2026 at CK13, Novi Sad by Martin Barbul on April 9 and at Guvernanta, Belgrade on April 10 by Ilia Belorukov & Jeff Surak Mixed and mastered by Ilia Belorukov Thanks to CK13, Guvernanta, and Olga Roshchina credits released September 14, 2026

Edo Astudillo

Musician from Santiago de Chile (1979). My work focuses on the use of different sound sources, for the creation of pieces in real time or improvisation. The exploration of sound materials in this improvisational context is my main interest due to the inherent limitations and possibilities of this dynamic, such as (to name a few) the ideas of control and error, stability and instability, spontaneity vs. planning, decision-making and aesthetic idealization in space and time using selected sound materials. Second album in this series of improvisations using different friction techniques on elastic materials. The vibrations are transmitted to the membrane of a small timbale, which is used as a resonator. https://eduardoastudillo.bandcamp.com/

Mystery Hearsay

All sounds by Mike Honeycutt. Edited and constructed by Jeff Surak. Originally released on CD-R in 2004. Original promo notes said "First installment in the Mystery Hearsay trilogy for zeromoon. Psychedelic noise, harsh swirling collages of sound over flow on this disk assembled by MC Ladno"

Jeff Surak and Autodetuned

For digital downloads and non-USA addresses order direct from the label: staalplaatlabel.bandcamp.com/album/zoology Zoology is a sonic lexicon of imaginary species captured in their natural habitats from post-industrial wastelands to deep sea hydrothermal vents and interstellar cosmic voids. In the process of recording the music for Zoology, we noticed how the pieces sounded like imaginary animals, and the sounds that they would make in different environments. Hence we titled the album Zoology, and titled each track after a nonsensical nonexistent species. released by Staalplatt (Berlin) on August 7, 2026 Recorded Winter of 2026 Jeff Surak - electronics, field recordings, trash & debris. zeromoon.com Autodetuned: contact mics, field recordings, guitars, pedals and sound objects. autodetuned.bandcamp.com Mastering: GS Mastering & Post

Violet

Originally released on the con-v label (Madrid) in 2004, "Okraina" was constructed from field recordings made in December 2003 while on tour in Russia and Ukraine. Gas heated kitchen pipes, men sleeping in a train compartment, passing trains, light bulbs, soviet refrigerators, train toilets are the sources. The sounds where minimally mixed and processed, and the stranger sounds are more a result of strategic microphone placement and the lofi microcassette recorder than software processing.