Hip Hop Music

Cold Summers

Cold Summers is an instrumental hip-hop album that has jazzy samples, soulful drums, and strong statements. This is an emotionally driven project that captures heavy moments in life.

Judgment

Prze-Krój

Prze-Krój to debiutancki, przekrojowy album Grzegorza Resiaka, działającego pod pseudonimem Szczupac. Dziesięć utworów to autorska mieszanka hip-hopu, dancehallu, reggae, trip-hopu, elektroniki i basowej improwizacji, w której wrażliwość dźwięku spotyka się z nieprzewidywalnością formy. Szczupac wymyka się jednoznacznym kategoriom. Jako autor tekstów, wokalista i producent buduje własny język muzyczny — pełen kontrastów, napięć, przestrzeni i rytmicznych eksperymentów. Prze-Krój jest wyborem z różnych obszarów jego twórczości i zarazem pierwszą oficjalną płytą projektu. To kolejny etap drogi artysty, który ma na koncie ponad czterysta autorskich kompozycji opublikowanych na YouTube. Dziesięć utworów zawartych na Prze-Kroju pokazuje szeroki zakres jego muzycznych zainteresowań, łącząc groove, eksperyment i swobodę improwizacji. ENG Prze-Krój is the debut and wide-ranging album by Grzegorz Resiak, performing under the name Szczupac. Across ten tracks, he blends hip-hop, dancehall, reggae, trip-hop, electronics and bass-driven improvisation into a sound where sonic sensitivity meets unpredictable form. Szczupac’s music resists easy categorisation. As songwriter, vocalist and producer, he creates his own musical language — full of contrasts, tension, space and rhythmic experimentation. Prze-Krój brings together different sides of his work, serving both as a cross-section of his musical interests and the first official release under the Szczupac name. With more than four hundred original compositions published on YouTube, Resiak has been steadily developing a distinctive and highly personal approach to music. The ten tracks on Prze-Krój reveal the breadth of that journey, combining groove, experimentation and improvisational freedom into an eclectic yet coherent debut.

no toques las megarhyssa

A year ago, Tall Can got out of prison and we put out the last music we made together before he got locked up. Now a year later, his first album of new music, 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢, is done. Even a cursory look at the lyrics will tell you a lot changed in the years between 𝘱𝘪𝘭𝘰𝘴𝘵𝘺𝘭𝘦𝘴 𝘸𝘪𝘭𝘥𝘧𝘭𝘰𝘸𝘦𝘳 and 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢. These are songs about figuring out how to be a dad in a world whose future is anything but guaranteed, and about what we can do to shape that future. 𝘓𝘪𝘷𝘪𝘯𝘨 𝘪𝘴 𝘭𝘦𝘢𝘷𝘪𝘯𝘨 𝘈𝘮𝘦𝘳𝘪𝘤𝘢 𝘵𝘰 𝘥𝘪𝘦, he raps on "the end is very near." 𝘎𝘶𝘦𝘴𝘴 𝘢𝘭𝘭 𝘐'𝘮 𝘵𝘳𝘺𝘯𝘢 𝘴𝘢𝘺 𝘪𝘴 𝘸𝘦 𝘨𝘰𝘯𝘯𝘢 𝘣𝘦 𝘢𝘭𝘳𝘪𝘨𝘩𝘵. Tall Can spent the final portion of his sentence on a fire camp, battling the blaze ravaging the Palisades. That news footage in the "land's end" video isn't some stock clip. Tall Can really did that shit. Tupac came out of prison and recorded 𝘈𝘭𝘭 𝘌𝘺𝘦𝘻 𝘖𝘯 𝘔𝘦 in two weeks. Bobby Shmurda, Gucci and Boosie among plenty of other rappers have come home to fanfare amid grand claims they spent every day they were locked up writing new music. Again: Tall Can really did that shit, even dropping 𝘚𝘬𝘺 𝘉𝘶𝘳𝘪𝘢𝘭 𝘈𝘵𝘰𝘱 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘋𝘢𝘯𝘤𝘦𝘧𝘭𝘰𝘰𝘳 while he was inside. 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢 is his first record of new material since his release, capturing life's highs and lows in the first year free. 𝘛𝘩𝘪𝘴 𝘴𝘰𝘯𝘨'𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘰𝘯𝘦𝘴 𝘸𝘩𝘰 𝘥𝘳𝘢𝘨𝘨𝘦𝘥 𝘮𝘺 𝘯𝘢𝘮𝘦 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘮𝘶𝘥 𝘸𝘩𝘪𝘭𝘦 𝘐 𝘸𝘢𝘴 𝘭𝘰𝘤𝘬𝘦𝘥 𝘶𝘱, Tall Can dedicates the epic-length closer "correct." 𝘔𝘰𝘴𝘵 𝘤𝘰𝘯𝘧𝘶𝘴𝘪𝘯𝘨 𝘥𝘢𝘺𝘴 𝘰𝘧 𝘮𝘺 𝘭𝘪𝘧𝘦 / 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘐'𝘮 𝘥𝘰𝘪𝘯𝘨 𝘸𝘩𝘢𝘵'𝘴 𝘳𝘪𝘨𝘩𝘵. That confusion comes through in the dark, hypnotic beats and flows across the album's fourteen tracks.

pilostyles wildflower

𝖑𝖊𝖆𝖛𝖊 𝖙𝖍𝖊𝖘𝖊 𝖔𝖑𝖉 𝖑𝖔𝖓𝖊𝖑𝖞 𝖇𝖔𝖓𝖊𝖘 𝖚𝖕 𝖔𝖓 𝖙𝖊𝖑𝖊𝖕𝖍𝖔𝖓𝖊 𝖜𝖎𝖗𝖊𝖘 𝖈𝖔𝖓𝖛𝖊𝖗𝖘𝖊 𝖜𝖎𝖙𝖍 𝖜𝖍𝖎𝖈𝖍𝖊𝖛𝖊𝖗 𝖉𝖊𝖒𝖔𝖓𝖘 𝖞𝖔𝖚𝖗 𝖍𝖊𝖆𝖗𝖙 𝖉𝖊𝖘𝖎𝖗𝖊𝖘 𝖑𝖊𝖙'𝖘 𝖘𝖊𝖙 𝖙𝖍𝖊 𝖕𝖎𝖌𝖘 𝖔𝖓 𝖋𝖎𝖗𝖊 It's amazing how little time changes things. Tall Can and I recorded this album six years ago, with the country in the midst of an authoritarian power grab amid nationwide protests while colonialist war raged in Gaza and global debt soared to record highs. Then Tall Can got locked up. And a few years, a global pandemic and a prison sentence later, he's been released into a world which... well, doesn't look a whole lot different. Which is terrible for the state of the world, but does mean the rage against the powers that be contained in these songs feels as relevant as ever, even six years later. 𝖎𝖋 𝖜𝖊 𝖆𝖗𝖊 𝖑𝖎𝖛𝖎𝖓𝖌 𝖎𝖓 𝖆 𝖗𝖊𝖆𝖑𝖒 𝖙𝖍𝖆𝖙 𝖎𝖘 𝖘𝖔 𝖙𝖗𝖚𝖑𝖞 𝖌𝖔𝖑𝖉𝖊𝖓 𝖜𝖊 𝖘𝖍𝖔𝖚𝖑𝖉 𝖙𝖗𝖊𝖆𝖙 𝖊𝖆𝖈𝖍 𝖔𝖙𝖍𝖊𝖗 𝖆𝖘 𝖘𝖚𝖈𝖍 𝖗𝖊𝖒𝖆𝖎𝖓 𝖍𝖚𝖒𝖇𝖑𝖊 𝖘𝖙𝖆𝖞 𝖔𝖕𝖊𝖓 𝖊𝖆𝖘𝖎𝖊𝖗 𝖘𝖆𝖎𝖉 𝖙𝖍𝖆𝖓 𝖘𝖕𝖔𝖐𝖊𝖓 𝖍𝖆𝖗𝖉𝖊𝖗 𝖕𝖑𝖆𝖈𝖊𝖉 𝖎𝖓𝖙𝖔 𝖆𝖈𝖙𝖎𝖔𝖓 "...undoubtedly one of the year’s most enjoyable rap projects. ...quite visionary... It has an irresistible disjointedness to it that if it doesn’t have you hooked on the very first listen will have you considering a replay. ...Intense!" -Doth Music

The Personal Tapes

The album cover belongs to the series of my so-called "masks," similar to the singles ⇜ᴇ x ᴘ ᴇ ʀ ɪ ᴍ ᴇ ɴ ᴛ⇝, Increasing Dependence on QR Codes, and 大阪市∈Don▫Quijote. It is a hand-drawn image on watercolor paper, measuring 37 x 37 cm, and the drawing is done with a micro ink pen. The image, in its appearance and graphic style, represents the content of the tracks and the album as a whole. You will find a large cassette held by my (HïdeѲut's) hand, with the album title and my name on it. For the special cover of the track "Personal Tape IV. (feat. Mojo Flows) ~ [The Hunter]" has a frame in the bottom left corner showing the output and collaboration with Mojo Flows - you can also find this cover on his pages. The cassette has headphones with faces and light bulbs on the "ears." On the right side, we see a gramophone, and on the left, some kind of cable that leads to this creature's teeth. The jaw is made of tapes and vinyl records, with various versions of inscriptions depicting my name (HïdeѲut) scattered all over the cover. The cassette also features the inscription = "Index: FiVE TRACKS!" which refers to the standard labeling of track content on real cassette tapes. There is also a fake QR code and a small depiction of my mascot.

Metro Central

14 track album - WFWM #0107 B E T A B L O O D: https://betablood.bandcamp.com/ https://www.facebook.com/betabloodvaporwave

Flawless

Lush strings, mellow keys, a bouncy bass line, and addictive drums... What else could you ask for? :)

PINKMIXTAPE

OFFICIAL RELEASE ON JANUARY 1 2027 Upload a song clip: forms.gle/s9oMbsjvt3hk6hCMA Upload a Mashup/Remix: forms.gle/YiyWk6ebbp7z5XZt6 A collection of Remixes, Mashups, and Sound Clips, meant to be a culmination of pop culture and a free source to upload or download from. All uploads will have the original artist and uploader's name in the credits of that specific track and as a feature. #PINKMIXTAPE

Woke Up This Morning Still Rich

Woke up this morning still rich

Four Income Streams

Four income streams all coming to me

Three Times The Bread

Three times the bread I'm like a bakery

I got Even More Money

I got even more money

I Got Lots Of Money

I got lots of money

Short Songs For Short Attention Spans

Short Songs For Short Attention Spans is a 12-track album by the artist seanclopedia (the pseudonym of Sean Hoyt). While Bandcamp lists the release year as 1983, this appears to be a stylistic or humorous “retro” labeling common to the artist’s persona, as his online presence and other releases date to the mid-2020s. Album Profile The album features very short, quirky songs with a lo-fi sound, focusing on everyday observations. The tracklist includes titles like “What Do I Do When It’s Early in The Morning”, “I Can’t Eat Shrimp”, “It’s Time To Take Out The Trash”, and “I Think I’ll Get A Crunchwrap Today”. About the Artist Sean Hoyt, also known as seanclopedia, describes himself as a “song maker” and “professional Chris Pratt impersonator”. His work frequently incorporates themes related to shrimp and humorous, ordinary topics. You can find his full discography on his Official website and Bandcamp. Note on Similar Titles: This album is distinct from the 1996 punk rock album of the same name by Nobodys and the 1999 compilation Short Music for Short People.