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This audio performance has a three-part structure. The basis of F10ML (for 10 minutes longer) is an experiment with room's acoustics and random sounds, the influence of field recordings on the subsequent formation of an improvisational canvas. Musicians generate sound tissue based on the 10 minutes that were recorder earlier in the same room. Thus, the pre-recorded period dictates the form of subsequent improvisation. The final part is a direct recording of linear signals coming from each of the musicians, bypassing the reverberation of the room and other environmental influences - it is a layer hidden from hearing, manifested in the last ten minutes of the performance.
