Electronic Music

Only God Knows

Celeste Noxx is a South African sound artist who has been studying piano since the age of 11, and actively recording since the age of 18. She self-released her early material in 2023. "Only God knows is a deeply personal project to me because I made it while going through awful substance withdrawal. The reason I went with the dark drone sound was to mirror the isolation and pain I was feeling at the time. I almost didn’t release it because I was so exhausted physically and mentally." "I honestly felt like it was going to be the final thing I’d ever release. I think the final project mirrors the loss of faith I had in my recovery, the only thing I could do was to hold onto God."

Demo Redux

Bok Records first release is an expanded and remastered cassette version of the demo from UK Knightmare-inspired dungeon synth project Treguard. Originally a digital-only release back in February 2026, this new version has been expanded to include the epic "Wormhole To The Dungeon dimension" and mastered by thee mighty Jack Chuter. The first Treguard adventure can now be experienced in full for the first time; follow the journey of a group of brave cosmic warriors from a Pocket Dimension who are transported to the Knightmare world via a wormhole. Needless to say, things get a bit nasty...

Señal de las Ciudades 3

This journey comes to an end: third and final chapter of this love letter to the argentinian radio, covering the '80s! A decade that saw the people getting free from the dictatorship, but also, hand in hand with the return of democracy, felt the presence of new genres: heavy metal, punk and 'música divertida' (our take in new wave), along with the first recognitions of what will be the stars of the next decade, cuarteto and cumbia. Of course, the ghost of the military is still there, but being free is also the right to enjoy yourself and laugh hard with a new language of the modern radio shows that broke the traditions of seriousness in transmissions. Revolution in radio is complete... ¿can you feel it? ////////////////////////////////////////////////////////////////// Este viaje llega a su final: tercer y último capítulo de esta carta de amor a la radio argentina, ¡cubriendo los '80! Una década que vio al pueblo liberarse de la dictadura, pero también, de la mano con el regreso de la democracia, sentir la presencia de nuevos géneros: heavy metal, punk y 'música divertida' (nuestra forma de new wave), junto con los primeros reconocimientos de lo que serían las estrellas de la próxima década, el cuarteto y la cumbia. Por supuesto, el fantasma de los milicos todavía está ahí, pero ser libre es también el derecho de divertirte y reírte fuerte con un nuevo lenguaje de los modernos programas de radio que rompieron la tradición de la seriedad en las transmisiones. La revolución en la radio está completa... ¿podés sentirlo?

Señal de las Ciudades 2

Second chapter of a love letter to argentinian radio, from the view of the chaotic '70s: a time where dictatorships, a brief period of democracy, pop, rock, musical traditions, disco, night life and death by day went interspersed. Can something be truly enjoyed when human existence is threatened at all times, even if is your right to live a normal life? This is some sort of an answer: dance, sing, cry, kiss... as long as it is possible. ////////////////////////////////////////////////////////////////// Segundo capítulo de una carta de amor a la radio argentina, desde la perspectiva de los caóticos '70: un tiempo donde las dictaduras, un breve período democrático, el pop, el rock, las tradiciones musicales, la disco, la vida nocturna y la muerte durante el día se sucedieron de manera entremezclada. ¿Puede algo ser realmente disfrutado cuando la existencia humana está amenazada en todo momento, incluso si es tu derecho el vivir una vida normal? Esta es una especie de respuesta: bailá, cantá, llorá, besá... mientras sea posible.

Señal de las Ciudades 1

First chapter of a love letter to argentinian radio, in a time where tradition and modernity in music and arts were converging, resulting in an interesting revival of genres like folclore and tango, but also paving the way for new ways of making those melodies hand in hand with the emergence of rock, progressive jazz and psychedelic pop. Music and radio shows were also showing a society clashing within itself: old family values and conservative views against the hippie rebellion, standard pop formats against avant-gardism, intolerant politicians and dictatorships against working people claiming for their rights. Cities and their sound would not be the same ever again. ////////////////////////////////////////////////////////////////// Primer capítulo de una carta de amor a la radio argentina, en un momento donde la tradición y la modernidad en la música y las artes estaban convergiendo, resultando en un interesante resurgir de géneros como el folclore y el tango, pero además haciendo lugar a nuevas formas de interpretar esas melodías de la mano con la aparición del rock, el jazz progresivo y el pop psicodélico. La música y los programas de radio también mostraban una sociedad chocando consigo misma: viejos valores de familia y perspectivas conservadoras contra la rebelión hippie, formatos estándar de pop contra el vanguardismo, políticos intolerantes y dictaduras contra trabajadores reclamando sus derechos. Las ciudades y su sonido no serían las mismas nunca más.

Enciclopedia (Miniaventuras DLC)

A memory from the 2000's brought this album: having a digital encyclopedia on CD, that wasn't as good as Encarta, but it was made in Argentina and really saved me on several school assignments. From the beginning, quiet but somehow immersive classical music put me in the path of unlocking knowledge, on an interface that was kinda minimal but polished and a nice and friendly tree diagram of different topics. Learn about the past, looking into the future. Stories on Ｍｉｎｉａｖｅｎｔｕｒａｓ aren't finished. ////////////////////////////////////////////////////////////////// Un recuerdo del 2000 trajo este disco: tener una enciclopedia digital en CD, que no era tan buena como Encarta, pero estaba hecha en Argentina y realmente me salvó en varias tareas escolares. Desde el comienzo, tranquila pero de cierta forma inmersiva música clásica me puso en el camino de desbloquear conocimiento, en una interfaz que era algo mínima pero pulida y un simpático diagrama de árbol de diferentes temas. Aprender sobre el pasado, mirando al futuro. Las historias en Ｍｉｎｉａｖｅｎｔｕｒａｓ no se han terminado.

Drag Me to the Witch House

female vocals, lyrics: Mist Spectra. Sound programming, mixer, male vocals: Sábila Orbe. // released in 2021.

Unseen Coordinates (DELUXE EDITION)

17 track DELUXE EDITION new release. Navigations without a map — moving through spaces you can feel but can't name. Long-form drones stretch and erode like tides against unmarked shorelines; shorter pieces surface as techno skeletons wrapped in ambient fog, where pulse and texture trade places. Cold on the surface, warm underneath. Precise in its construction, deliberately unresolved in its arrival. Music for the hours between destinations. The coordinates are unseen — the direction is yours.

The Grand Design

The Grand Design is the 30th album of Tangram. This concept album is a hommage to Stephen Hawking (1942-2018) "Hazánk jelentős szintimágusának The Grand Design című lemeze a nemrég elhunyt elméleti fizikus, Stephen Hawking emlékét ápolja zeneanyagával - véletlen egybeesés, hogy épp a professzor Westminster apátságbeli temetésével egyidőben. A lemez kilenc dalcíme is a tudós munkásságának egy-egy fejezetére utal - de a művész jó érzékkel elkerülte azt a csapdát, hogy Hawking ikonikus beszédszintetizátorának hangmintáit belekomponálja valahova." (Lángoló Gitárok) credits released June 15, 2018 Cover design: Peter Baranyi Special thanks to Gabor Gerenyi Recorded and mixed on Ableton Live and MacBook Pro Instruments: Spectrasonics Omnisphere, Audjoo Helix, Arturia Analog Lab 3, Arturia Keylab Essential, Ableton Push 2, Rob Papen's Predator

Layers

Our world is layered. The deepest layer is music. BONUS ITEM: Video of album preview (HD) "Thanks for your fantastic album, had a listen on my way to Australia high up in the sky. Perfect and I really enjoyed it Peter." (Magnus Birgersson aka. Solar Fields) "Hungarian electronic wizard Fabók Péter has been dishing out a steady stream of albums since 2005. His stage name Tangram obviously points a finger in Tangerine Dream's general direction, and when you then start diving into this man's, by now, vast discography - there is indeed an emphasis on the melodically enhanced, breezy early 80s material from the original pioneers of the genre. With FB the synthesisers have had a serious overhaul though, and much of the feel and vigor now exudes an increasingly futuresque and modern sound. His style has also changed somewhat, and currently it seems as if he is exploring a spacier and more open psychedelic approach giving him an advantage in the visuals department, where he often utilizes spectacular lighting effects to enrich the concert experience - a thing that corresponds well with the psychedelic feel of the music (just ask folks who've attended a Floyd gig in downtown London 1967)." (Progarchives.org) credits released October 27, 2012 TANGRAM - LAYERS Written and Produced by Peter Fabok

Tepidarium II.

Tepidarium II is a return to a musical journey that began 17 years ago. Released in 2009, the original Tepidarium was inspired by a day spent at the historic Széchenyi Thermal Baths in Budapest. Now, in 2026, Tangram revisits that world with a different perspective, shaped by time, experience, and musical evolution. Blending atmospheric electronica, immersive ambient soundscapes, evolving synthesizer textures, and hypnotic rhythms, Tepidarium II unfolds across seven compositions and 46 minutes. The same inspiration, seventeen years later. A different journey. No AI was used making this album. credits released October 30, 2026 Composed and Produced by Peter Fabok

Cauterised - Easier

Further deconstructions of Easy listening Pop choons. Never has life been easier.

Dogma Death

It’s Everyone Else is an experimental industrial synth duo from Ljubljana, Slovenia. Their distinctive dark and layered sound combines sharp beats, two vocals, distorted synths and haunting samples. On this album they also incorporate trip-hop, alt.rock, doom and sludge moments, with off-kilter, challenging structures. In 2022, I played with It's Everyone Else as The Owl for Klub Futra's 25th anniversary party. Now I am very pleased to be collaborating with these lovely people and their mega interesting and unique project. Anyone who has seen them live will attest to this. 'Dogma Death' celebrates the shedding of the old. Self-released by the band on 10" vinyl. itseveryoneelse.bandcamp.com/album/dogma-death Video for 'Crusades Crusades' www.youtube.com/watch?v=6KbyG5x2CXM Free download on Owlripper (including video and many photos) owlripperrecordings.bandcamp.com/album/dogma-death

FuzzPunk

Witching Hour FM

MR TONIGHT AND THE FUTURE FRIENDS

Maggots

Maggots is the third 6-track EP from Svaj.

Faner sous le Soleil de Damas...

track by GanJahZa Purpura

Almost There

Track by Xenon, Axl Rhodes Mastering: AV_Limited Catalog: SCRD0028

âme

4 track album, Released October 31, 2026 as free (cc) digital download and in beautiful limited CD edition. "A grand title for an album that spans a wide arc: âme, the French word for “soul,” derives from the Latin anima - which also means “breath” or “a breath of air.” It is this breath one seems to hear in the shimmering sonic textures from which the sounds of this album emerge, textures that underpin its rhythms and melodies. The breath of life as the foundation of all inner motion, of all emotions explored across the album’s four extended tracks, in a constant interplay between tones and noise-based elements. As an ambient symphony addressing existential themes, âme stands alongside electroacoustic large-scale works such as Bernard Parmegiani’s De natura sonorum or Michel Chion’s Requiem. In their first collaborative composition, Julien ASH, aka Nouvelles Lectures Cosmopolites (NLC), and EMERGE arrive at a remarkably complementary division of roles. ASH, the neoclassical composer, orchestrates his melodic arcs in a markedly more “synthetic” manner than on previous albums, where acoustic instruments played a larger role. This electronic sound merges seamlessly with the more abstract “sound recycling” distilled by sound artist EMERGE from ASH’s recordings, giving the album its distinctive “breathing” timbre mentioned above. ... This first joint album by NLC and EMERGE marks the culmination of a collaboration that has developed over several years. NLC has released multiple albums with various partners on attenuation circuit, the label run by EMERGE. For the Mahorka compilation Making Things Happen: Netlabel Day 10th Anniversary Compilation they created an exclusive collaboration track, that marked their premiere in working together with sound. With âme, the two artists now meet for the first time as co-composers on the level of a fully shared artistic work." --Gerald Fiebig [mhrk515]