Discover 78 lo fi releases with free Bandcamp download codes from independent artists and labels.
Free Palestine. credits released October 25, 2024 recorded May to October, 2024. album cover font is DEMONS by Sick Again produced by Ellby and HTCAT
liminal electro // ambient // darkjazz
Nino3.4 index rises to +2.4c, with atmospheric response measurable. Relative Nino3.4 values are forecast to peak at ~ +4c, which would make it the strongest SST anomaly on record. Impacts are expected to persist into autumn 2027 (SH). Warmer waters have been recorded around most of Australia, which will impact cloud formation and may increase the energy available for storms. In the coming months, rainfall is likely to be sparse across the south-east, with increased rainfall in the west. Practice bushfire preparedness. Non-atmospheric impacts lay outside the scope of this study. Recorded newspring 2026 on Kaurna Land ~424 PPM (~427 PPM Mauna Loa).
This is a cover to Joji's "Past Won't Leave My Bed". One of my favorite tracks of the year. His yearnful tracks like this, Love You Less, Daylight and Die For You have been big inspirations for me to make my own music. I chose to not go with the piano like in the original to personalize it a bit more and went with the organ arpeggiator. (also my vocal effects) I know some parts are a bit flat, I made this last night in like 2 hours. I have more codes for download on my profile for my original songs. Go check em out! Honestly this probably is not the last time I do a Joji cover. He my goat fr fr. He has so much in his catalogue that I feel like I need to do. Anyways thanks for listening :D
Welcome to the third edition of "Dreikelvin Sessions" ! This volume is all about nostalgia and cozy spaces. I spent a year making these tracks and used various sources of inspiration, tools and ideas. I hope you enjoy this little expedition and have a good time working, studying, playing or whatever you do! Thank you so much for listening. Barracrewda collaborated with me for the 1 hour mix version and produced a cool lo-fi cat animation for the album on Youtube. Watch it here: youtu.be/cmqDvnEVvuQ credits released September 15, 2024
Jesus Jackson und die grenzlandreiter, der bestgehütete Geheimtipp der Augsburger Popszene, feiern ihr 25-jähriges Bestehen mit einem neuen Album. “Acid Kommunismus” erscheint als gemeinsames Release der Labels gebrauchtemusik (betrieben von Bandmitglied Gerald Fiebig) und attenuation circuit. Produziert wurde “Acid Kommunismus” wie bereits das 2017 erschienene Vorläuferalbum “Wall of Sound” von Alexander Möckl. Der Gitarrist, Komponist und Produzent ist in Augsburg bestens bekannt durch eine Vielzahl von Projekten wie die Voodoophonics, die Standals und seine akustischen Solostücke.
An ambient jazz album featuring prominent saxophone, flute, and synths.
An ambient lo-fi rock album in which the titles create a poem.
This record was recorded live with a lo fi mic. No midi, no masters. So this was an attempt to combine the sound I worked out on the last album Cyprian's Gnome with some of the more technical aspects that I had messed with on another record Umber Hulk Song. For the title track I was attempting to fuse this kind of alien dungeon noise with influences from Demilich, Frank Zappa, and Sun Ra. So this involved some really weird and unstable noise generator settings, but I'm all about imperfections. The track Smokeless Fire is of course influenced by Hindustani music, but if you know anything about Indian music you'll know this is not a raga. So I was also influenced by Scottish Piobaireachd bagpipe music here. When I first started listening to it my thought was something like, what if someone mixed this with Indian music in some way shape or form. That might not make a lot sense, and mixing it further with noise oriented dungeon synth might make even less sense. But here we are. -Ranseur
Knifework’s first transmission is a short, wonderfully diseased little machine: lo-fi old-school EBM circuitry, rusted industrial muscle, propulsive krautrock synth improvisations, minimal techno hypnosis and strange pockets of ambient nowhere-space, all stitched together with the logic of a malfunctioning dream. Synths crawl, pulse, sweat, accelerate. Rhythms appear from behind concrete. Little electronic ghosts flicker between the machinery. Inventive. Addictive. Spooky. Weirdly playful. And terribly, terribly brief. Before you fully understand what kind of place you’ve entered, Nothing is Coming is already gone—leaving only warm circuitry, phantom movement and a suspicious stain on the floor. A truly superb first apparition from Knifework. -Sir Kuliktavikt
26 track album, skatecore Cape Cod, 1980s American hardcore
3 1 / o c t / 1 3 ◢
halfdead started as a project for me to collate my sound design and compositional work, however as it evolved internally it became sort of an alter ego. following the end of my time in college, I looked towards different inspirations and found myself enjoying this medium of sound more and more, creatively taking things and destroying them then rebuilding up to somewhat calm listeners. this music of course that I am referring to is ambient music. in august 2026, after going on a walk taking photos of nature and making ideas in my notebook of things I wanted to do, I decided to get knee-deep in writing for a new release, this being what would become halfdead's self titled debut album.
"march 2021 – september 2021, personal diary, audio-journal. musical conversation with stuff I listened to. going on a field trip. grungy, fuzzed-out vanities, nu-metal r&b + skits for the quiet hour. 8 and 12 are demos I deleted accidentally and couldn’t finish..... she sat there in the park again, and"
I often drift past your ruins, A corpse of stone, blackened tin, and spoiled timber, Your bloodless body still lingers over the neighborhood, Not as memory, But as a weather that refuses to leave. Most walk past you Without ever looking up. I never do. I remain, Tracing the outline of the fire that once dreamed itself into matter. Accept this small nocturnal offering— Gentle, Almost peaceful— For you have become The quiet grammar of all things that crumble, Even those that once believed themselves celestial.
Time Was is the latest release from Matt Stevenson, and his first under the moniker BTMFDR. With these five tracks, Stevenson has left the dance floor behind entirely for blown-out soundscapes, smoke-scorched atmospheres, and chasmic voids. Ideas simmering for over a decade - buried deep, forgotten - are found again only through changes in form and the passage of time. Time Was is a record of reflection, denial, and change. It is a distillation of years of struggle and effort. This is what remains: the coals that illuminate. The trials of time may erode, but they also shape and reveal. released August 7, 2026 All tracks by Matt Stevenson Mix, master, and cover art by Matt Stevenson
The perfect soundtrack for your summer. This EP was crafted with a lot of attention to vibe and detail, so put on your headphones, turn it up, and enjoy :)
ambient EP // code breach collection
ayashi[!]. tyd$cum.
