Rap Music

no toques las megarhyssa

A year ago, Tall Can got out of prison and we put out the last music we made together before he got locked up. Now a year later, his first album of new music, 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢, is done. Even a cursory look at the lyrics will tell you a lot changed in the years between 𝘱𝘪𝘭𝘰𝘴𝘵𝘺𝘭𝘦𝘴 𝘸𝘪𝘭𝘥𝘧𝘭𝘰𝘸𝘦𝘳 and 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢. These are songs about figuring out how to be a dad in a world whose future is anything but guaranteed, and about what we can do to shape that future. 𝘓𝘪𝘷𝘪𝘯𝘨 𝘪𝘴 𝘭𝘦𝘢𝘷𝘪𝘯𝘨 𝘈𝘮𝘦𝘳𝘪𝘤𝘢 𝘵𝘰 𝘥𝘪𝘦, he raps on "the end is very near." 𝘎𝘶𝘦𝘴𝘴 𝘢𝘭𝘭 𝘐'𝘮 𝘵𝘳𝘺𝘯𝘢 𝘴𝘢𝘺 𝘪𝘴 𝘸𝘦 𝘨𝘰𝘯𝘯𝘢 𝘣𝘦 𝘢𝘭𝘳𝘪𝘨𝘩𝘵. Tall Can spent the final portion of his sentence on a fire camp, battling the blaze ravaging the Palisades. That news footage in the "land's end" video isn't some stock clip. Tall Can really did that shit. Tupac came out of prison and recorded 𝘈𝘭𝘭 𝘌𝘺𝘦𝘻 𝘖𝘯 𝘔𝘦 in two weeks. Bobby Shmurda, Gucci and Boosie among plenty of other rappers have come home to fanfare amid grand claims they spent every day they were locked up writing new music. Again: Tall Can really did that shit, even dropping 𝘚𝘬𝘺 𝘉𝘶𝘳𝘪𝘢𝘭 𝘈𝘵𝘰𝘱 𝘛𝘩𝘦 𝘋𝘦𝘷𝘪𝘭'𝘴 𝘋𝘢𝘯𝘤𝘦𝘧𝘭𝘰𝘰𝘳 while he was inside. 𝘯𝘰 𝘵𝘰𝘲𝘶𝘦𝘴 𝘭𝘢𝘴 𝘮𝘦𝘨𝘢𝘳𝘩𝘺𝘴𝘴𝘢 is his first record of new material since his release, capturing life's highs and lows in the first year free. 𝘛𝘩𝘪𝘴 𝘴𝘰𝘯𝘨'𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘰𝘯𝘦𝘴 𝘸𝘩𝘰 𝘥𝘳𝘢𝘨𝘨𝘦𝘥 𝘮𝘺 𝘯𝘢𝘮𝘦 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘩𝘦 𝘮𝘶𝘥 𝘸𝘩𝘪𝘭𝘦 𝘐 𝘸𝘢𝘴 𝘭𝘰𝘤𝘬𝘦𝘥 𝘶𝘱, Tall Can dedicates the epic-length closer "correct." 𝘔𝘰𝘴𝘵 𝘤𝘰𝘯𝘧𝘶𝘴𝘪𝘯𝘨 𝘥𝘢𝘺𝘴 𝘰𝘧 𝘮𝘺 𝘭𝘪𝘧𝘦 / 𝘵𝘩𝘪𝘯𝘬𝘪𝘯𝘨 𝘐'𝘮 𝘥𝘰𝘪𝘯𝘨 𝘸𝘩𝘢𝘵'𝘴 𝘳𝘪𝘨𝘩𝘵. That confusion comes through in the dark, hypnotic beats and flows across the album's fourteen tracks.

pilostyles wildflower

𝖑𝖊𝖆𝖛𝖊 𝖙𝖍𝖊𝖘𝖊 𝖔𝖑𝖉 𝖑𝖔𝖓𝖊𝖑𝖞 𝖇𝖔𝖓𝖊𝖘 𝖚𝖕 𝖔𝖓 𝖙𝖊𝖑𝖊𝖕𝖍𝖔𝖓𝖊 𝖜𝖎𝖗𝖊𝖘 𝖈𝖔𝖓𝖛𝖊𝖗𝖘𝖊 𝖜𝖎𝖙𝖍 𝖜𝖍𝖎𝖈𝖍𝖊𝖛𝖊𝖗 𝖉𝖊𝖒𝖔𝖓𝖘 𝖞𝖔𝖚𝖗 𝖍𝖊𝖆𝖗𝖙 𝖉𝖊𝖘𝖎𝖗𝖊𝖘 𝖑𝖊𝖙'𝖘 𝖘𝖊𝖙 𝖙𝖍𝖊 𝖕𝖎𝖌𝖘 𝖔𝖓 𝖋𝖎𝖗𝖊 It's amazing how little time changes things. Tall Can and I recorded this album six years ago, with the country in the midst of an authoritarian power grab amid nationwide protests while colonialist war raged in Gaza and global debt soared to record highs. Then Tall Can got locked up. And a few years, a global pandemic and a prison sentence later, he's been released into a world which... well, doesn't look a whole lot different. Which is terrible for the state of the world, but does mean the rage against the powers that be contained in these songs feels as relevant as ever, even six years later. 𝖎𝖋 𝖜𝖊 𝖆𝖗𝖊 𝖑𝖎𝖛𝖎𝖓𝖌 𝖎𝖓 𝖆 𝖗𝖊𝖆𝖑𝖒 𝖙𝖍𝖆𝖙 𝖎𝖘 𝖘𝖔 𝖙𝖗𝖚𝖑𝖞 𝖌𝖔𝖑𝖉𝖊𝖓 𝖜𝖊 𝖘𝖍𝖔𝖚𝖑𝖉 𝖙𝖗𝖊𝖆𝖙 𝖊𝖆𝖈𝖍 𝖔𝖙𝖍𝖊𝖗 𝖆𝖘 𝖘𝖚𝖈𝖍 𝖗𝖊𝖒𝖆𝖎𝖓 𝖍𝖚𝖒𝖇𝖑𝖊 𝖘𝖙𝖆𝖞 𝖔𝖕𝖊𝖓 𝖊𝖆𝖘𝖎𝖊𝖗 𝖘𝖆𝖎𝖉 𝖙𝖍𝖆𝖓 𝖘𝖕𝖔𝖐𝖊𝖓 𝖍𝖆𝖗𝖉𝖊𝖗 𝖕𝖑𝖆𝖈𝖊𝖉 𝖎𝖓𝖙𝖔 𝖆𝖈𝖙𝖎𝖔𝖓 "...undoubtedly one of the year’s most enjoyable rap projects. ...quite visionary... It has an irresistible disjointedness to it that if it doesn’t have you hooked on the very first listen will have you considering a replay. ...Intense!" -Doth Music

The Personal Tapes

The album cover belongs to the series of my so-called "masks," similar to the singles ⇜ᴇ x ᴘ ᴇ ʀ ɪ ᴍ ᴇ ɴ ᴛ⇝, Increasing Dependence on QR Codes, and 大阪市∈Don▫Quijote. It is a hand-drawn image on watercolor paper, measuring 37 x 37 cm, and the drawing is done with a micro ink pen. The image, in its appearance and graphic style, represents the content of the tracks and the album as a whole. You will find a large cassette held by my (HïdeѲut's) hand, with the album title and my name on it. For the special cover of the track "Personal Tape IV. (feat. Mojo Flows) ~ [The Hunter]" has a frame in the bottom left corner showing the output and collaboration with Mojo Flows - you can also find this cover on his pages. The cassette has headphones with faces and light bulbs on the "ears." On the right side, we see a gramophone, and on the left, some kind of cable that leads to this creature's teeth. The jaw is made of tapes and vinyl records, with various versions of inscriptions depicting my name (HïdeѲut) scattered all over the cover. The cassette also features the inscription = "Index: FiVE TRACKS!" which refers to the standard labeling of track content on real cassette tapes. There is also a fake QR code and a small depiction of my mascot.

Refixes

Remixes, refixes, edits and DJ tools for the thinking man’s dancefloor

Babel Tower

Produced By Shungu Cover(s) by Kyrae Dawaun Recorded in Dover, Delaware 2021-2025 Give Thx to Shungu, Kyrae, Kapwani, Jireh, Charley Coin, Gracie, Rell, FREE, Bones, Jordan, Housing, Lamb, Bassey, Yonqi, A'isha and everyone I've met in the city of Philadelphia and beyond through music for y'all help in aiding this piece over the finish line in one way or another.... blessed to have my community and family.

Soulfulman

North Face , Gold Chain

Originally released April 10th, 2015. Classic , I Love You :+) - Dank God “It is impossible to be a fan of the so-called “internet” and “soundcloud” rap movement without knowing who Kemet Dank is, this is just a fact. Having been active since the start of the 2010’s, Kemet Dank aka the Dank God is truly the definition of an artist’s artist. [...] A product of a post-Lil’ B era of music, Kemet Dank’s eclectic, experimental, and based sensibilities & stylings set him aside early on as a star of a new based era of artists in the 2010’s. Tracing the history of contemporary soundcloud/internet rap back to its birth at the start of the 2010’s, following the lineage of important groups such as [...] OGOD and SGOD based movements, Goth Money, Thraxxhouse, Metro Zu, Goth Boi Clique, Awful Records, Raider Klan affiliates, and independent artists such as Kirb La Goop, and more, one artist continually sticks out as common collaborative ground between all of them and stands at the center of this multifaceted Venn diagram, and it is the artist Kemet Dank. An individual who has been at the spearhead of every sonic movement in internet era hip hop.” - Natty Gray / Cult Love Sound Tapes

GG Bby

BLOOD SIMPLE

THE SECRET LIES WITH CHARLOTTE

Midnight Season

Iridescent

"Iridescent" is spiritual successor to T. Houze's debut album "Midnight Season". It includes the hit single "Silence" with features from Ro Bettinelli, Nikko Miles, Emily McNally, Birdsy, Devin White and Deja.

The Echoes of a Sunday Soul

The Echoes of A Sunday Soul is a reflective Hip Hop and Neo-Soul journey that captures the feeling of late-night city rides, faded memories, and conversations that linger long after the music ends. Blending soulful melodies, warm vinyl-inspired textures, and hard-hitting production, T. Houze creates an atmosphere that feels both intimate and cinematic. The album explores themes of ambition, love, self-reflection, and emotional growth, balancing smooth storytelling with a modern edge rooted in contemporary Hip Hop. With standout moments like “To The Stars” and “Odyssey,” the project moves like a soundtrack for quiet nights, personal breakthroughs, and the search for peace within the noise of everyday life.

Woke Up This Morning Still Rich

Woke up this morning still rich

Four Income Streams

Four income streams all coming to me

Three Times The Bread

Three times the bread I'm like a bakery

I got Even More Money

I got even more money

I Got Lots Of Money

I got lots of money

Highschool DxD Tha Mixtape

MAKE SURE TO LEAVE A REVIEW!!! - DottyB "Highschool DxD Tha Mixtape" is the second mixtape from AMU Henry Smalls and is also his first waterfall release (There will continue to be more tracks added to the mixtape). First conceptualized in March, Dotty made the first 16 tracks in only a week and continued to add more afterwards. I called it Highschool DxD Tha Mixtape because "Greatest Hits" was such a boring name for it!!! - DottyB The bizarre name of this mixtape, derived from the well-known ecchi anime "Highschool DxD", is also supported by the artistic philosophy Dotty adopted when making the mixtape. He explained that as both the anime and his music were sources of "dopamine" (dude should just say excitement), naming the mixtape what it was named and giving it high-energy tracks would give people something to get excited about. 37 track album

Ejji no kitta-gai

City of Edgyness” is the Fifth LP by AMU Henry Smalls (Also the first album to be officially released after A.H.S.’s other albums went archived). Unlike AMU Henry Smalls’s other albums, “City of Edgyness” takes a very emotional approach. It is also the first and only album of his that only has drill tracks. Some of the tracks are also melodic and other tracks are more quiet, emulating the mumble rap subgenre. The album in its entirety was produced only by AMU Henry Smalls (credited as RdottyBoom) and only features Yameii Online. The cover for the album is an altered version of the Gunslinger Girl manga cover (with the character “Henrietta”). The Japanese text under <i>AMUHENRYSMALLS</i> translates to “City of Edgyness” Instead of the AI-based mastering offered by FL Cloud, DistroKid, or other services, or the Preset-based mastering on BandLab, every track is mastered by AMU Henry Smalls himself, using EQ effects and other plugins available in FL Studio 21. 12 track album