artist

Coma Beach

Würzburg, Germany

comabeach.bandcamp.com

Coma Beach is a punk rock/alternative rock band from Würzburg, Germany. The band was formed in 1993 by singer B. Kafka, guitarist Captain A. Fear and drummer M. Lecter, with bassist U. Terror and rhythm guitarist M. Blunt completing the lineup. Coma Beach's musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with their songs frequently straddling the line between punk rock and alternative rock. The band's English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

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I Won't Listen (Without A Trace Edit)

Coma Beach

"A snarling anthem of apathy and defiance, where boredom becomes both shield and weapon." “I Won’t Listen” is a sardonic, bruised anthem of deliberate disengagement. Built around a deadpan, confrontational refrain, the song turns apathy into a strategy: not merely not caring, but actively refusing to be moved, comforted, or converted. Musically lean and lyrically repetitive, it balances petulant contempt with philosophical echoes — boredom becomes both refuge and indictment. Coma Beach frames withdrawal as a defensive art: a way to survive the babble of social exhortation, the faux-saints of work-and-consume culture, and the hollow promises of intimacy. "I Won't Listen" is track #12 and the fifth single from our album "The Scapegoat's Agony" (1995) as well as the lead single from our EP "I Won't Listen" (2024) and track #12 from our compilation "The Scapegoat's Agony (Edits, Odds & Ends)" (2026). The single/EP/compilation version of "I Won't Listen" is slightly shorter than the album version. "I Won't Listen" (2024) is the first installment in our "Scapegoat Revisited" EP triptych celebrating the 30th anniversary of our debut album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Synopsis for "I Won't Listen": In the album’s penultimate chapter, the unnamed antihero puts on full display his cynical disdain for soul-crushing conformism and societal expectations.

Released: 10/5/2026

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Jesus' Tears (Crimson Stain Edit)

Coma Beach

"A crucifixion hallucination, a cry for vengeance, and a vision of divine sorrow." “Jesus’ Tears” is a brutal, theologically charged nightmare that upends familiar Passion imagery: the speaker who is crucified “next to Jesus Christ” is not a saintly bystander, but a defiant, wounded narrator whose suffering becomes the seed of a promised spiritual vengeance. The lyric folds Gospel scenes, Marian sorrow, apocryphal angelics, and Gothic revenant lore into a short, violent parable about sacrificial violence, communal guilt, and the moral ambiguity of revenge. Musically, the song’s refrain — “My mad life was punished / But my spirit will take revenge” — operates like a warped liturgy: equal parts confession, accusation, and vow. "Jesus' Tears" is track #7 and the first single from our album "The Scapegoat's Agony" (1995) as well as track #5 from our EP "A Madman's Dream/Mind Descending" (2024) and track #7 from our compilation "The Scapegoat's Agony (Edits, Odds & Ends)" (2026). The EP/compilation version - a radio edit - is shorter than the album/single version. "A Madman's Dream/Mind Descending" (2024) is the second installment in our "Scapegoat Revisited" EP triptych celebrating the 30th anniversary of our debut album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero.

Released: 9/21/2026

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Nothing Right (Character In A Play Edit)

Coma Beach

"A confession, a trial, and a self‑execution — all in just over three minutes." “Nothing Right” is a raw, confessional interrogation: a speaker pacing the ruins of a life, alternately pleading for absolution and accusing themselves of irredeemable crime. The lyric moves between everyday idioms and stark moral images — “hit the nail on the head” beside “why I’m a murderer” — so that ordinary failure and existential culpability become interchangeable. It’s simultaneously a catalogue of regrets, a philosophical demand for meaning (life, forgiveness, death), and a dramatization of self-judgment that reads like a modern-day lament stitched to the lineage of Biblical confession, tragic literature and existential novels. "Nothing Right" is track #2 and the second single from our album "The Scapegoat's Agony" (1995) as well as track #2 from our compilation "The Scapegoat's Agony (Edits, Odds & Ends)". The compilation edit is shorter than the album/single version. The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero.

Released: 9/13/2026

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The Scapegoat's Agony - Edits, Odds & Ends

Coma Beach

This compilation contains special edits of all 13 tracks from our debut album "The Scapegoat's Agony" (recorded in September 1995) and of all 3 tracks from our second demo tape (February 1995) as well as 3 tracks from our first demo (December 1993). The album title "The Scapegoat's Agony" is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the – for the most part – painful and excruciating emotional odyssey of the unnamed antihero. Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock. Our English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

Released: 6/2/2026

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Passion/Bliss

Coma Beach

"Passion/Bliss" (2025) is the third and final installment in our "Scapegoat Revisited" EP triptych celebrating the 30th anniversary of our debut album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the – for the most part – painful and excruciating emotional odyssey of the unnamed antihero. Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock. Our English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

Released: 1/9/2025

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A Madman's Dream/Mind Descending

Coma Beach

"A Madman's Dream/Mind Descending" (2024) is the second installment in our "Scapegoat Revisited" EP triptych celebrating the 30th anniversary of our debut album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock. Our English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

Released: 8/4/2024

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I Won't Listen

Coma Beach

"I Won't Listen" (2024) is the first installment in our "Scapegoat Revisited" EP triptych celebrating the 30th anniversary of our debut album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock. Our English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

Released: 5/9/2024

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Extreme Masochist

Coma Beach

"Extreme Masochist" is track #9 and the fourth single from our album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the – for the most part – painful and excruciating emotional odyssey of the unnamed antihero. Synopsis for "Extreme Masochist": Having spiralled through various delusions of grandeur and humiliation, the unnamed antihero experiences emotional catharsis by facing head-on the painful and torturous reality of the human condition.

Released: 2/9/2024

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Another Song

Coma Beach

"Another Song" is track #11 and the third single from our album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Synopsis for "Another Song": Taking a good harsh look at the absurdities and cruelties of everyday life, the unnamed antihero resorts to sarcasm and cynicism in order to cope with what he regards as the utter meaninglessness of human existence. "Nothing Right" is track #2 and the second single from our album "The Scapegoat's Agony". The original version first appeared on our second demo tape, which was recorded in February 1995. Synopsis for "Nothing Right": Taking stock of his deeply lamentable existence so far, the unnamed antihero erupts into a harrowing scream of anguish and disbelief.

Released: 10/6/2023

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Nothing Right

Coma Beach

"Nothing Right" is track #2 and the second single from our album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Synopsis for "Nothing Right": Taking stock of his deeply lamentable existence so far, the unnamed antihero erupts into a harrowing scream of anguish and disbelief. "Passion" is track #6 from our album "The Scapegoat's Agony" (1995). The original version of "Passion" first appeared on our second demo tape, which was recorded in February 1995. Synopsis for "Passion": Having rid his deeply troubled mind of any and all pestering ruminations, the unnamed antihero turns his attention to his complete and utter lack of emotional well-being.

Released: 8/6/2023

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Jesus' Tears

Coma Beach

"Jesus' Tears" is track #7 and the first single from our album "The Scapegoat's Agony" (1995). The album title is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the - for the most part - painful and excruciating emotional odyssey of the unnamed antihero. Synopsis for "Jesus' Tears": In his delirious state of madness, the unnamed antihero suffers through a Christ-like crucifixion, vowing to avenge himself on those he deems responsible for his suffering. "I Won't Listen" is track #12 from our album "The Scapegoat's Agony". The original version first appeared on our second demo tape, which was recorded in February 1995. Synopsis for "I Won't Listen": In the album’s penultimate chapter, the unnamed antihero puts on full display his cynical disdain for soul-crushing conformism and societal expectations.

Released: 7/22/2023

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The Scapegoat's Agony

Coma Beach

The album title "The Scapegoat's Agony" is an allusion to the play "Waiting for Godot" by Irish playwright and novelist Samuel Beckett and points towards the – for the most part – painful and excruciating emotional odyssey of the unnamed antihero. Our musical influences range from Sex Pistols, Ramones, Hüsker Dü, Joy Division, The Cure, The Jesus and Mary Chain to Guns N' Roses, Therapy? and Bad Religion, with our songs frequently straddling the line between punk rock and alternative rock. Our English lyrics draw on numerous themes and motifs from various authors, such as the existentialist view of the world's utter meaninglessness, as portrayed in Samuel Beckett's plays and novels; the satirical-sarcastic approach to the absurdities of human existence, as employed in Douglas Adams's narratives; the often tragic and – not infrequently – self-inflicted conflicts that countless characters have to suffer through in William Shakespeare's plays; or Arthur Schopenhauer's system of a radical metaphysical pessimism.

Released: 11/11/1995

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