Discover 21 field recording releases with free Bandcamp download codes from independent artists and labels.
Track 2021.1.31.5.59.55 is based on "Knickpoint" track. The original track is released on the "crossing the stream" album by Lärmschutz & Sergei Tumanov on Poverty Electronics (USA). January 2021. https://povertyelectronics.bandcamp.com/album/crossing-the-stream Tracks 2021.1.31.6.50.26 and 2021.1.31.7.1.56 are based on "Earth: experience" one-track album which was released on NCTMMRN (Australia) in December 2017. https://nctmmrn.bandcamp.com/album/earth-experience Sergei Tumanov - ppooll, field recordings Mixed, mastered and produced by Sergei Tumanov https://sergeitumanov.com https://nctmmrn.com/services Original cover artwork by Denis Sorokin https://www.instagram.com/sorokinguitar https://sorokinguitar.blogspot.com
Tiny melodies played on a toy piano, granular synthesis, and tactile textures. I'm happy to share my new track, “Morning Mist and Pine Trees”. Tape loops, synthesizer, and textures: Vinícius Milani Please consider supporting me if you enjoyed the track :)
frogs
Four experimental compositions of field recordings, harsh walls, plunderphonics and evolving industrial loops. And porn.
Two warm, crunchy ambient noise walls with field recorded militant drums from a flagellant procession in Spain. Inspired by Goya's painting and Roman-Catholic traditions of public repentance.
Est, mihi crede, magna felicitas in ipsa necessitate moriendi. - Included as a bonus track on the CD and 12" EP versions of 'Nullus portus nisi mortis est'. elasticstage.com/ruinsbeheld Released April 29, 2026
Drone Vapors deconstructs the steam iron and washing machine into industrial drones through pitch shifting. Household noise transforms into industrial atmosphere. linktr.ee/Substak credits released April 3, 2026 All tracks written, produced and mixed by Konstantinos Staikos. Album art by nd dentico Substak, is an Athens-based artist who began his journey in 2011. His passion for music provided an escape from everyday life, and since then, he has released his work through various labels. Substak’s artistic vision transcends conventional boundaries, focusing on the pure language of sound. His journey continues to evolve, driven by a commitment to creative freedom and expression. license
field recording with sections tuned using filters in max/msp field recordings taken from the southern shore of the great salt lake, or "pi'a-pa" in the shoshoni language
My first release, I hope you enjoy.
It's all about sport, or picnic, or maybe golf.
Field recordings, noise, and pornography.
A distorted melody mixes with a rainstorm and transistor radio. Then a second distorted melody, cuz why not.
A moody response to navigating the pandemic. Full of melancholia, wonder and a sense of abiding attitude.
a meditation via electro-acoustic sound art and field recording on the wild fires sweeping our planet
a dj mix of ambient selections co-habitating with electro-acoustics, mostly unreleased material from 2016-2024.
a collaborative work with the artist known as Fencepost
TERRA is a dialogue between the fluid matter of water and the sound of the modular synthesizer. Environmental recordings — rain, thunderstorms, rivers, and streams — become the living fabric upon which slow frequencies, deep pulses, and synthetic resonances take shape. The field recordings of water, rain, and valleys function as the primary compositional substrate of each piece. Rather than serving as mere ambient background, the sonic presence of nature provides the structural framework that supports and conditions the development of the modular synthesizer. The drones and electronic harmonies are not designed to override the natural recordings; instead, they articulate and modulate the temporal unfolding of each composition.
20 track album
It all started with a generative soundpiece made for an art exhibition. Dense drones filled a secluded dark space: sometimes reinforcing, sometimes attenuating, but always humming and flowing tirelessly on and on and on. 'Great starting point for an album'.. or so I thought, since it evolved far and away from it over time. There are still inklings reminiscing on that initial piece though, so quit your yammering. You'll encounter a bit of guitar, a few sparse piano notes, subtle background noises. Fieldrecordings of woodlands and citylife. Some stray electromagnetic radio waves. Tears, joy, sand, leaves. Moulded together it forms these 4 unfolding stories with quite a tonal undertow, having a total running time just shy under 30 minutes. Made 20 physical pieces: a white cassette tape fitted snugly inside a blackish frame, with a complementary leaflet.
